England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
"Oh, that was merely the slow music, as one might say, of the
drawing-room mysteries--an obligato in the after-dinner harmony. I play
only to amuse myself--or when it is a painful duty."
Piers was warned by his tactful conscience that he had held Miss
Derwent quite long enough in talk. A movement in their neighbourhood
gave miserable opportunity; he resigned his seat to another expectant,
and did his best to converse with someone else.
Her voice went with him as he walked homewards across the Park, under a
fleecy sky silvered with moonlight; the voice which now and again
brought back so vividly their first meeting at Ewell. He lived through
it all again, the tremors, the wild hopes, the black despair of eight
years ago. How she encountered him on the stairs, talked of his long
hours of study, and prophesied--with that indescribable blending of
gravity and jest, still her characteristic--that he would come to grief
over his examination. Irene! Irene! Did she dream what was in his mind
and heart? The long, long love, his very life through all labours and
cares and casualties--did she suspect it, imagine it? If she had
received his foolish verses (he grew hot to think of them), there must
have been at least a moment when she knew that he worshipped her, and
does such knowledge ever fade from a woman's memory?
Irene! Irene! Was she brought nearer to him by her own experience of
heart-trouble? That she had suffered, he could not doubt; impossible
for her to have given her consent to marriage unless she believed
herself in love with the man who wooed her. It could have been no
trifling episode in her life, whatever the story; Irene was not of the
women who yield their hands in jest, in pique, in lighthearted
ignorance. The change visible in her was more, he fancied, than could
be due to the mere lapse of time; during her silences, she had the look
of one familiar with mental conflict, perhaps of one whose pride had
suffered an injury. The one or two glances which he ventured whilst she
was talking with the man who succeeded to his place beside her,
perceived a graver countenance, a reserve such as she had not used with
him; and of this insubstantial solace he made a sort of hope which
winged the sleepless hours till daybreak.
He had permission to call upon Mrs. Borisoff at times alien to polite
routine. Thus, when nearly a week had passed, he sought her company at
midday, and found her idling over a book, her seat by a window which
viewed the Thames and the broad Embankment with its plane trees, and
London beyond the water, picturesque in squalid hugeness through summer
haze and the sagging smoke of chimneys numberless. She gave a languid
hand, pointed to a chair, gazed at him with embarrassing fixity.
"I don't know about the Castle," were her first words. "Perhaps I shall
give it up."
"You are not serious?"
Piers spoke and looked in dismay; and still she kept her heavy eyes on
him.
"What does it matter to _you_?" she asked carelessly.
Public-domain text, read in full here on John Shaqi.
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