Love stories; Reformatories -- Fiction; Social classes -- Fiction; Young women -- Fiction
"But it's better now?" she asked.
"Shouldn't have showed my face here if it wasn't," Paul retorted,
with a flicker of his old spirit. "The luck changed just when I'd
about decided to go back to Grimes. Yes, I'm doing so-so. Nothing
record-breaking, but I'm out of debt."
"I'm very glad."
"Thanks," he said gratefully. "You've no call to be, God knows! When
I think--but what's the good? I've thought till I'm half crazy. Just
to look into the little place at the Lorna Doone queers a whole week
for me. It stands about as it did, Jean. All the time the pinch was
hardest, I had to carry the flat, too--empty. I couldn't live there,
and nobody else wanted it. I missed my chance to clear out when the
building changed hands--I tumbled just too late, not being on the spot.
The new owners would make trouble, and I've had trouble enough. I just
_can't_ sell the things--leastways some of them--and I thought perhaps
you--they're really yours, you know--perhaps you--No? Well, I don't
blame you. If folks were only living there, I guess I'd feel different.
I would sublet for a song."
Amy's consuming desire flashed into Jean's mind to relieve a situation
too tense for long endurance, and Paul thankfully made note of the
drummer's address. This mechanical act seemed to put a period to
their meeting and both rose; but although they shook hands again, and
exchanged commonplaces concerning neither knew what, the man continued
to imprison her fingers in an awkward solemnity which, more sharply
than words, conveyed his sense of a bitter, yet just, finality.
So occupied, Atwood's hurried entrance found them.
"I'm late, very late," he said from the hall, at first seeing only
Jean; "but the cab-horse looks promising, and the driver says--I beg
your pardon!"
Acutely conscious of a burning flush, which Paul's red-hot confusion
answered like an afterglow, Jean made the presentation.
"Bartlett--not Barclay," Paul corrected Atwood's murmured greeting,
with the footless particularity of the embarrassed.
"I beg your pardon," said Atwood again.
"Often mixed, those two names, Bartlett and Barclay," babbled the
dentist, with desperate stage laughter. "Half the people who come to my
office call me Barclay. Feel sometimes as if it must be Barclay after
all. Dare say Barclay is as good a name--that is--"
Jean stilled the parrot cry with an apology for running off, and the
trio passed down the steps together. Atwood glanced back curiously as
they whipped away.
"Who is Mr. Bartlett--not Barclay?" he smiled.
"A dentist I knew when I worked for the Acme Company," she answered,
and then, with a generous impulse added, "He was very kind to me once
when I needed kindness."
"So?" Atwood's interest livened. "Then I have double reason not to
forget his name. I don't dare picture what Julie's thinking," he went
on, peering at a jeweller's street-clock. "We're undeniably late. But I
have the best excuse in the world. Guess!"
Public-domain text, read in full here on John Shaqi.
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