Love stories; Reformatories -- Fiction; Social classes -- Fiction; Young women -- Fiction
"Neither has Craig, I dare say. Perhaps the idea only took shape
while she talked with me. I can't give you the technical name of the
function, but it will be worthy of the manager's reputation. The scheme
is to get Mrs. Joyce-Reeves's portrait, Miss Hepworth's, and mine--yes,
mine!--before as many as possible of the opulent beings who itch to
hand their empty faces down to posterity. By the way, I want to see the
Hepworth portrait."
She took him to the billiard-room and brought the unfinished picture to
the easel. MacGregor turned off a warring light, chose a view-point,
bestrode a chair, and lapsed into a long silence. Jean tried to read
his rugged face, but finding it inscrutable, herself studied the
canvas. Fuller knowledge of Craig's sitter had failed to reveal the
qualities of mind he found so stimulating; but now, confronting the
immobile counterfeit, she hit with disturbing certainty upon the truth
that Virginia Hepworth's appeal was physical, and to men as men.
A moment afterward MacGregor confirmed her intuition.
"I don't know her any better," he said. "Outwardly she is the same
neurotic creature I've seen all along. Apathetic with other women,
she stirs to life and takes her tints from the particular male with
whom she chances to be. Craig has missed an opportunity to dissect a
chameleon."
"You think it's a failure!"
"Psychologically, I do; technically, no. In color, texture, it is
masterly. Don't distress yourself about its success; it will be only
too successful. I think it will even have the bad luck to be popular."
Jean's loyalty rose to do battle.
"It's to Craig's credit that he could not see her truly," she retorted.
"If she takes her tints from the man with whom she talks, then he has
painted into her something of himself, something fine. But wasn't it
hers for the moment? Why, then, shouldn't he show her at her best, not
her worst?"
MacGregor laughed immoderately.
"That is stanch and wifely and nonsensical. It is not a
portrait-painter's business to supply the virtues or the vices. His
palette ought to contain neither mud nor whitewash. It is his duty to
see things as they are."
"But how can you expect Craig to see Miss Hepworth as she is? He's
not--"
"Middle-aged, like myself," suggested MacGregor, as she hesitated. "Say
it! It makes your fling concrete, personal, feminine."
Jean's wrath cooled in a smile.
"I was going to add, cynical," she said. "Is that a personality?"
"It's wide of the mark, whatever we call it. I'm no cynic. If I were, I
should merely stand by and laugh, not interfere."
"Don't put it that way."
Public-domain text, read in full here on John Shaqi.
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