Love stories; Reformatories -- Fiction; Social classes -- Fiction; Young women -- Fiction
"Glad to hear it. The chances are she'd say no, straight off the bat,
if I did. Letter-writing isn't my long suit. What will you say about a
proposition like me, anyhow?"
"Nothing."
"Nothing? Least said the better, eh?"
"I mean I'm not going to write."
"Not at all?"
"Not till we are married. I will write home then."
Paul whistled meditatively.
"Mind telling why?" he queried. "Can't say that this play seems
according to Hoyle, either."
Jean's real reason was rooted in a fear that Mrs. Fanshaw's erratic
conscience might be capable of a motherly epistle to Paul, setting
forth the refuge history. So she answered that she and her family were
not in sympathy, and was overjoyed to find that Paul thought her excuse
valid.
"I know just how you feel," he said. "My governor and I could never
hit it off. But about writing your mother: we'll need her consent, you
know. You're still under twenty-one."
"I come of age September tenth."
"But we want to be married the third week in August."
"We can't," said Jean; and that was the end of it.
This postponement notwithstanding, it seemed to her that she fairly
tobogganed toward her marriage. Even before her return to work, Paul
notified Grimes of his intention to shift for himself after October
and leased the office of which he had told her. With the same energy,
of which he gratefully assured her she was the dynamo, he promptly had
her hunting Harlem for the little flat, just around the corner, of his
imaginings. For so modest a thing, this proved singularly elusive, and
it took a month of Sundays, besides unreckoned week-day explorations,
before they lit finally upon what they wanted, in a building so new
that the plumbers and paper-hangers still overran its upper floors.
The "Lorna Doone" was an apartment house. The prospectus said so; the
elevator and the hall service proved it. Mere flats have stairs and
ghostly front doors which unseen hands unlock. Mere flats have also at
times an old-fashioned roominess which apartments usually lack; but
as Paul, out of a now ripe experience with agents and janitors, justly
remarked, they have no tone. This essential attribute--the agents and
janitors agreed that it was essential--seemed to him to exhale from
the Lorna Doone with a certainty not evident in many higher-priced
buildings whose entrances boasted far less onyx paneling and mosaic.
Besides tone or, more correctly perhaps, as a constituent of tone, this
edifice had location, which Jean was surprised to learn was a thing to
be considered even in this happily unfashionable section.
Public-domain text, read in full here on John Shaqi.
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