Love stories; Reformatories -- Fiction; Social classes -- Fiction; Young women -- Fiction
She vanished like the creature of nightmare she was, but the nightmare
remained. Paul would demand his reckoning now. He would come and stand
over her with his accusing face and ask her what this horror meant.
She could not go to him, she felt, or at least unless he sent. But
throughout that endless forenoon the dentist kept to his office, though
twice there were intervals when she knew him to be alone. Her lunch
hour--and his--came at last. She lingered, but still Paul delayed. At
last, driven by an imperative craving to be done with it, she hurried
to his room and found it empty. Grimes told her that he had seen Paul
leave the place by a side door. The news was a dagger-thrust in her
pride. Of a surety, now, he must seek her.
Between five o'clock and six, a dull hour, he came, woebegone and
conciliatory.
"For God's sake, clear this up," he begged. "Haven't you anything to
say?"
"A great deal, Paul. But first tell me what that woman said about me."
"You heard."
"But what else?"
"Nothing."
"Nothing!" The thing was incredible.
"Only that you'd probably be glad to explain things yourself."
At that half her burden fell. Stella's cunning had overreached itself.
She had thought to rack her victim most by forcing her to betray
herself, but she had reasoned from the false premise that Jean had a
truly shameful past to conceal.
"Glad," she repeated. "Yes, I am glad. I should have told you some day,
Paul. It's a long story."
The door opened to admit a caller with a swollen jowl.
"To-night, then?" said the dentist, hurriedly.
"Yes," she assented. "I will tell you to-night."
"At the flat?"
"Yes; at the flat."
Spurred on by her unrest, she reached the Lorna Doone before Paul had
returned from his evening meal, and found the flat in darkness. She was
relieved that this was so. It would give her a quiet interval in which
to turn over what she meant to say. She entered the little parlor and
seated herself in an open window where a shy midsummer-night's breeze,
astray from river or sound, stole gently in and out and fingered
her hair. It was wonderfully peaceful for a city. The sounds from
below--the footsteps on the pavement, the cries of children at play
under the young elms lining the avenue, the jests of the cigar-store
loungers, the chatter of the girls thronging the soda-fountain at the
corner druggist's, the jingle of bicycle bells, the beat of hoofs,
the honk of occasional automobiles, even the strains of a hurdy-gurdy
out-Heroding Sousa--one and all ascended, mellowed by distance to
something not unmusical and cheerily human. She realized, as she
listened, that the city, not the country, this city, this very corner,
this hearth which she and Paul had prepared, was at last and truly home.
Presently she heard Paul's latch-key in the lock and his step in the
dark corridor.
"You here?" he called tonelessly. "Better have a light, hadn't we?"
Public-domain text, read in full here on John Shaqi.
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