Love stories; Reformatories -- Fiction; Social classes -- Fiction; Young women -- Fiction
Much encouraged, she mounted two more flights, knocked, and, as before,
let herself in at an unceremonious hail. This time, however, she
passed directly from hall to studio, coming at once into an atmosphere
startling in its contrast to the life she left behind. MacGregor's
Oasis, one of the illustrator's friends called it, and the phrase
fitted happily. The rack of wonderfully chased small arms and long Arab
flintlocks; the bright spot of color made upon the neutral background
of the wall by some strange musical instrument or Tripolitan fan; the
curious jugs, gourds, and leathern buckets of caravan housekeeping; the
careless heaps of oriental stuffs and garments from which, among the
soberer folds of a barracan or camel's-hair jellaba, one caught the
red gleam of a fez or the yellow glow of a vest wrought with intricate
embroideries; the tropical sun-helmet,--MacGregor's own,--its green
lining bleached by the reflected light of Sahara sand; the antelope
antlers above the lintel; the Soudanese leopard skins under foot--these
and their like, in bewildering number and variety, recalled the charm
and mystery of the African desert which this man knew, loved, and
painted superlatively.
MacGregor himself, whom she found at his easel, was, despite his
name, not Scotch, but American, with seven generations of New England
ancestors behind him. Tall, thin-featured, alert, and apparently in his
late thirties, he had the quizzical, shrewdly humorous eye which passes
for and possibly does express the Connecticut Yankee's outlook upon
life. In nothing did he suggest the artist.
"I'll be through here in no time, if you'll take a chair," he said,
when Jean had repeated the other artist's message.
Her wait was fruitful, for it emphasized most graphically the dictum
of the agent that gumption was fundamental in the successful model's
equipment. The man now posing for MacGregor in the character of an
aged Arab leading a caravan down a rocky defile, was mounted upon
nothing more spirited than an ingenious arrangement of packing-cases,
but he bestrode his saddle as if he rode in truth the barb which
the canvas depicted. He dismounted presently and disappeared in an
adjacent alcove from which he shortly issued a commonplace young man
in commonplace occidental garb, who pocketed his day's wage and went
whistling down the stairs.
MacGregor turned to Jean.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account