"Murder! what comes next?" groaned I--for I could now speak--as the
shadow of the figure of the poor woman rescued from perishing with
thirst on board of the American brig glided along the wall with her
infant in her arms and her clothes in disorder, the wet blanket which
the poor negro had been moistening, when I first saw her, hanging from
her shoulders, and her hair dishevelled; her figure, in fact, in every
point precisely as I had seen her in the cabin. The apparition seemed
to pause for a moment, and then stepped towards the box of dry goods,
and setting itself down, began to rock itself and moan; and the poor
picaniny began to struggle and pule at its mother's bosom for all the
world as naturally as it had done in the brig.
"There's a phantasmagoria for you, Master Benjie;--free gratis for
nothing, Master Benjie," said I to myself; whereupon my thumb, of the
size of the Bologna sausage, took my nose, of the size of the cotton
bag, such a crack! I thought it was knocked off. Presently I felt as
if the latter had been set a-bleeding so furiously as to float the bed
off the floor, and me in it. By and by the room became filled with
blood; and there I lay, cruising about in the floating bed, until the
door gave way, when the crimson torrent rushed down stairs like the
rapids of Niagara, bursting into the other sleeping apartments in its
descent--I could hear the suffocating coughs of the inmates as they
were drowning. At length, the blood having had vent, the bed once more
subsided, and took the ground on the very spot from whence it had
originally been floated. The light on the wall, however, was still as
strong as ever, but had changed from the moonlight tinge to a hot, deep
red glare, such as the devils break out of rocks with in theatres.
The shadow of the box had disappeared, and so had the figure of the
poor woman and her child; but I now heard a noise as of some one
singing snatches of the Carnival of Venice to himself, and dancing as
if practising a new step, with occasionally a tap tap on the floor, as
if the performer had been the owner of a wooden leg.
"Come along, my lad," thought I; "why, what next, what next?"--on which
the figure of a man, dressed in the old-fashioned coat commonly worn by
physicians in Havanna, with frills at his wrists, and tight
inexpressibles on, glided across the wall and disappeared. Presently I
was conscious he was in the room, which became suddenly hot and choky,
and, in fact, standing at my bedside, for I could hear some one
breathe, although I had not the power of turning my neck to look at him.
Public-domain text, read in full here on John Shaqi.
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