The effect of this on my shattered nerves was delightful; and, for the
first time since I had recovered my recollection, I lay back with my
heart full of gratitude to the Almighty for his mercy towards me. I
now remembered that I had been wounded, and began to piece together in
my mind the transactions at the gaming-table, and the various
circumstances that had preceded my sallying forth, and wondering who
had been the good Samaritan who had poured oil and wine into my wounds.
I again looked earnestly round. "There--what do I see--_who_ is
that--_what_ is that? Oh, I am mad--I am mad--and all this is a
dream." I looked again. The soft mysterious light already mentioned
now floated over the figure of a tall and very handsome young man,
dressed with great simplicity--a bluejacket, red striped shirt, open at
the collar, with his loose black neckerchief untied, the ends hanging
down on his bosom, and white trowsers. He was seated at an easel in
the boudoir, under the geranium, and close to the window, with his
profile towards me, a palette and paint-brush in one hand, while with a
finger of the other he seemed to be in the act of tracing a line on the
canvass before him. His complexion was very dark and sunburnt, his
mouth and nose beautifully formed, and his forehead, on which the cold
light from above was cast clear and strong, was very high and pale,
contrasting finely with the bronzing of his lower features; his hair
especially caught my attention--it was black, glossy, and curling.
"Great God! is it _him_, or his disembodied spirit?"
A young female, who until this moment I had scarcely noticed, stood
behind his chair, and bent over him, looking also earnestly at the
half-finished painting on the easel;--a tall and light-formed girl,
very pale, and wearing her hair dressed high on her head without any
ornament whatever; she was habited in a plain white frock, low cut at
the bosom, with a pale green band round her waist, and had one of her
beautifully-rounded arms extended over his shoulder, while the other
rested on the back of his chair, as, with lips apart, she pointed to
some particular part of the painting.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account