The peep I had of the boiling-house was very enlivening;--for,
independently of the regular watch of boiler-negroes, who were ranged
beside the large poppling and roaring coppers, each having a bright
copper laddie, with a long shank like a boathook, in his hands, it was
at this time filled with numbers of the estate's people, some getting
hot liquor, others sitting against the wall, eating their suppers by
the lamp light, and not a few quizzing and loitering about in the mist
of hot vapour, as if the place had been a sort of lounge, instead of a
busy sugar manufactory--a kind of sable _soirée_.
By the time we arrived in front of the overseer's house, we found the
door surrounded by a group of four patriarchal-looking negroes and an
old respectable-looking negro woman. The men were clad in Osnaburg
frocks, like those worn by waggoners in England, with blue frieze
jackets over them, and white trowsers. The old dame was rigged in a
man's jacket also, over as many garments apparently as worn by the
grave-digger in Hamlet. I had never seen such a round ball of a body.
They were all hat-in-hand, with Madras handkerchiefs bound round their
heads, and leaning on tall staffs made from peeled young hardwood
trees, the roots forming very fantastical tops. Their whips were
twisted round these symbols of office, like the snakes round the
caduceus of their tutelary deity, Mercury. These were the drivers of
the various gangs of negroes on the estate, who were waiting to receive
busha's[1] orders for the morrow.
[1] The West India name for overseer, or manager of an estate; a
corruption, no doubt, of bashaw.
On seeing us, the overseer hastily dismissed his levee, and ordered his
people to take charge of our horses.
"Mr Frenche is at home, I hope?" said Mr Twig.
"Oh, yes, sir--all alone up at the _great_ house there," pointing to a
_little_ shed of a place, perched on an insulated rocky eminence, to
the left of the abode he himself occupied, which overlooked the works
and whole neighbourhood.
This hill, rising as abruptly from the dead level of the estate as if
it had been a rock recently dropped on it,--rather a huge areolite, by
the way,--was seen in strong relief against the sky, now clear of
clouds, and illuminated by the moon.
At the easternmost end of the solitary great house--in shape like a
Chinese pavilion, with a projecting roof, on a punch bowl, that adhered
to the sharp outline of the hill like a limpet to a rock--a tall
solitary palm shot up and tossed its wide-spreading, fan-like leaves in
the night wind high into the pure heaven. The fabric was entirely
dark--not a soul moving about it--nothing living in the neighbourhood
apparently, if we except a goat or two moving slowly along the ridge of
the hill. At the end of the house next the palm-tree there was a low
but steep wooden stair, with a landing-place at top, surrounded by a
simple wooden railing, so that it looked like a scaffold.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account