The Cruise of the "Scandal", and other storiesBridges, Victor
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The Cruise of the "Scandal", and other stories
Bridges, Victor
English fiction -- 20th century; Short stories, English
It was soon evident that he was no novice at his business. The few
bold strokes in charcoal with which he outlined his sketch had all
that firmness and accuracy that only come from long practice.
With fascinated eyes the warder gazed upon the process. The gradual
emergence of an interior at Oxford College, in reply to the
apparently irresponsible dabs and daubs of a convict, seemed to him
to savour of the miraculous. Only the iron sense of discipline which
permeated their relations prevented him from openly expressing his
admiration to the artist.
After watching the work for about a quarter of an hour, he at length
rose reluctantly to his feet, picking up the rifle which he had
balanced against a chair.
"I'm goin' on the stage to see about the gas brackets, Bascombe," he
said. "I'll be back in a minute. You push on with that there
paintin'. We want it ready for the re'earsal Friday, if you can
manage it."
He crossed the room to a door, which apparently opened into the
street, and, turning the handle, satisfied himself that it was
properly locked. Then, after a final look round and a last approving
glance at the canvas, he clumped off through the narrow exit that led
to the stage.
For a minute or so after his departure the convict continued to
paint. He was sketching in the rough outline of a fire-place, and
the operation evidently engrossed his entire attention. As he worked
he whistled softly and tunefully, stepping back every now and then to
contemplate his labours. At last he laid down his brush, and,
stretching himself with a prolonged yawn, gazed listlessly about him.
His eye fell on the big basket in the centre of the room. He stared
at it for a moment in a sort of idle curiosity, then with a swift
glance at the door through which the warder had gone out he stepped
noiselessly across and lifted the lid.
Inside were several suits of clothes neatly folded and tied into
separate bundles. There were also two or three cardboard boxes, each
one labelled with a different name. For a moment the convict
contemplated them thoughtfully; then with a sudden grin he bent down
and lifted up one of the boxes. A second glance at the door assured
him that he was still unobserved. Opening his find he took out its
contents--a carefully dressed wig of silver-grey hair. A moment
later he was standing in front of a small looking-glass upon the
wall, complacently regarding its effect upon his own cropped head.
The transformation was certainly a successful one. Coming right down
on his forehead, without a scalp-piece to destroy the illusion, the
wig altered his appearance to an extraordinary extent. But for the
hideous broad-arrowed jacket below he might easily have passed for a
rugged, good-natured-looking barrister or country parson.
Something of this incongruity of costume seemed to strike Mr.
Bascombe. With a broadening grin, he retraced his steps to the
basket and silently continued his researches.
Public-domain text, read in full here on John Shaqi.
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