"You mustn't talk like that," Miss Cole said in a strained voice. "Why shouldn't I curse?" I said fiercely, turning on her challengingly, trying to think of some greater blasphemy to hurl at the muddle of life. But the sight of her face, livid with weariness, her lips twisting spasmodically from nervous exhaustion, showed me one reason not to. The realization that I had been so brutal to her shocked me horribly. "Oh, I beg your pardon," I cried. She stumbled slightly. I thought she was going to faint and I put my arm about her to steady her. She was almost old enough to be my mother, but she put her head on my shoulder and cried like a little child. We stood there on the sidewalk--in the glare of a noisy, loathsome saloon--like two frightened children. I don't think either of us saw any reason to go anywhere. But we dried our eyes at last and from mere force of habit walked blindly back to the children's house. On the steps she broke the long silence. "I know how you feel--everyone's like that at first, but you'll get used to it. I can't tell 'why.' I can't see that it does much good. But it's got to be done. You mustn't think about it. There are things to do, today, tomorrow, all the time. Things that must be done. That's how we live. So many things to do, we can't think. It would kill you if you had time to think. You've got to work--work. "You'll stay too. I know. You won't be able to go away. You've been here too long. You won't ever know 'why.' You'll stop asking if it does any good. And I tell you if you stop to think about it, it will kill you. You must work." She went to her room and I across the deserted courtyard and up to mine. But there was no sleep. It was that night that I first realized that I also _must_. I had seen so much I could never forget. It was something from which there was no escape. No matter how glorious the open fields, there would always be the remembered stink of the tenements in my nostrils. The vision of a sunken-cheeked, tuberculosis-ridden pauper would always rise between me and the beauty of the sunset. A crowd of hurrying ghosts--the ghosts of the slaughtered babies--would follow me everywhere, crying "Coward," if I ran away. The slums had taken me captive. Concerning Women (_From "Aurora Leigh"_) BY ELIZABETH BARRETT BROWNING (English poetess, 1806-1861; wife of Robert Browning, and an ardent champion of the liberties of the Italian people)