The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
General
The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
Social justice; Social problems
Deeper than all theories, apart from all discussion, the mighty
instinct for social justice shapes the hearts that are ready to
receive it. The personal types thus created are the harbingers
of the victory of the cause of freedom. The heralds of freedom,
they are also its martyrs. The delicate vibrations of their
consciousness thrill through the larger social self which more
stolid people still ignore, and the pain of the world is their
own. Not for one instant can they know an undimmed joy in art,
in thought, in nature while part of their very life throbs
in the hunger of the dispossessed. All this by no virtue, no
choice of their own. So were they born: the children of the
new age, whom the new intuition governs. In every country, out
of every class, they gather: men and women vowed to simplicity
of life and to social service; possessed by a force mightier
than themselves, over which they have no control; aware of the
lack of social harmony in our civilization, restless with pain,
perplexity, distress, yet filled with deep inward peace as they
obey the imperative claim of a widened consciousness. By active
ministry, and yet more by prayer and fast and vigil, they seek
to prepare the way for the spiritual democracy on which their
souls are set.
Le Père Perdrix
BY CHARLES-LOUIS PHILIPPE
(A poor and obscure clerk of the municipality of Paris, 1875-1909,
who wrote seven volumes of fiction which have placed his name among
the masters of French literature. He wrote of the poor whose lives he
knew, and his work is characterized by fidelity to truth, beauty of
sentiment, and rare charm of style. The following scene is in the home
of a workingman, who by heavy sacrifice has succeeded in educating his
only son. One day unexpectedly the son returns home)
Pierre Bousset said, "How does it happen that you come to-day?"
Jean sat down with slowness enough, and one saw yet another
thing sit down in the house. The mother said, "I guess you
haven't eaten. I'll make a little chocolate before noon-time."
Jean's tongue was loosed. "Here it is. There is something new.
It is necessary to tell you: I have left my place!"
"How! You have left your place!" They sat up all three--Pierre
Bousset with his apron and his back of labor; and Jean saw
that he had gray hair. The mother held a saucepan in her
hand, careful like a kitchen-servant, but with feelings as if
the saucepan were about to fall. Marguerite, the sister, was
already weeping: "Ah, my God! I who was so proud!"
Pierre Bousset said, "And how did you manage that clever
stroke?"
It was then that Jean felt his soul wither, and there rose up
from the depths of his heart all the needs, all the mists of
love. It was necessary that they should live side by side and
understand one another, and it was necessary that someone
should begin to weaken. He said, "Does one ever know what one
does?"
"Ah, indeed!" said the father. "You don't know what you do?"
Public-domain text, read in full here on John Shaqi.
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