The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
General
The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
Social justice; Social problems
"Enter then!"
That hollow Voice replied. She passed the door.
A sable curtain fell--and nothing more.
"A fool!" snarled some one, gnashing. Like a prayer
"A saint!" the whispered answer thrilled the air.
In a Russian Prison
(_From "Memoirs of a Revolutionist"_)
BY PETER KROPOTKIN
(See page 308)
One day in the summer of 1875, in the cell that was next to
mine I distinctly heard the light steps of heeled boots, and
a few minutes later I caught fragments of a conversation.
A feminine voice spoke from the cell, and a deep bass
voice--evidently that of the sentry--grunted something in
reply. Then I recognized the sound of the colonel's spurs,
his rapid steps, his swearing at the sentry, and the click of
the key in the lock. He said something, and a feminine voice
loudly replied: "We did not talk. I only asked him to call the
non-commissioned officer." Then the door was locked, and I
heard the colonel swearing in whispers at the sentry.
So I was alone no more. I had a lady neighbor, who at once
broke down the severe discipline which had hitherto reigned
among the soldiers. From that day the walls of the fortress,
which had been mute during the last fifteen months, became
animated. From all sides I heard knocks with the foot on the
floor: one, two, three, four, ... eleven knocks; twenty-four
knocks, fifteen knocks; then an interruption, followed by three
knocks, and a long succession of thirty-three knocks. Over and
over again these knocks were repeated in the same succession,
until the neighbor would guess at last that they were meant for
"Kto vy?" (Who are you?), the letter v being the third letter
in our alphabet. Thereupon conversation was soon established,
and usually was conducted in the abridged alphabet; that is,
the alphabet being divided into six rows of five letters, each
letter marked by its row and its place in the row.
Public-domain text, read in full here on John Shaqi.
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