If people will read this book carefully it will tend to do away with prisons. The public, once vividly conscious of what prison life is and must be, would not be willing to maintain prisons. This is the only book that I know which goes deeply into the corrupting, demoralizing psychology of prison life. It shows, in picture after picture, sketch after sketch, not only the obvious brutality, stupidity, ugliness permeating the institution, but, very touching, it shows the good qualities and instincts of the human heart perverted, demoralized, helplessly struggling for life; beautiful tendencies basely expressing themselves. And the personality of Berkman goes through it all; idealistic, courageous, uncompromising, sincere, truthful; not untouched, as I have said, by his surroundings, but remaining his essential self.... The Russian Nihilistic origin of Berkman, his Anarchistic experience in America, his attempt on the life of Frick--an attempt made at a violent industrial crisis, an attempt made as a result of a sincere if fanatical belief that he was called on by his destiny to strike a psychological blow for the oppressed of the community--this part of the book will arouse extreme disagreement and disapproval of his ideas and his act. But I see no reason why this, with the rest, should not rather be regarded as an integral part of a human document, as part of the record of a life, with its social and psychological suggestions and explanations. Why not try to understand an honest man even if he feels called on to kill? There, too, it may be deeply instructive. There, too, it has its lessons. Read it not in a combative spirit. Read to understand. Do not read to agree, of course, but read to see. _The Dungeon_ In the storeroom I am stripped of my suit of dark gray, and clad in the hateful stripes. Coatless and shoeless, I am led through hallways and corridors, down a steep flight of stairs, and thrown into the dungeon. * * * * * Total darkness. The blackness is massive, palpable--I feel its hand upon my head, my face. I dare not move, lest a misstep thrust me into the abyss. I hold my hand close to my eyes--I feel the touch of my lashes upon it, but I cannot see its outline. Motionless I stand on the spot, devoid of all sense of direction. The silence is sinister; it seems to me I can hear it. Only now and then the hasty scrambling of nimble feet suddenly rends the stillness, and the gnawing of invisible river rats haunts the fearful solitude. Slowly the blackness pales. It ebbs and melts; out of the sombre gray, a wall looms above; the silhouette of a door rises dimly before me, sloping upward and growing compact and impenetrable.