The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
General
The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
Social justice; Social problems
Mr. Greaves sits down at the officers' desk, near the hall
entrance. The Assistant Deputy, pad in hand, places himself at
the head of the sick line. The doctor leans against the door of
the rotunda, facing the Deputy. The block officers stand within
call, at respectful distances.
"Two-fifty-five!" the Assistant Deputy calls out.
A slender young man leaves the line and approaches the doctor.
He is tall and well featured, the large eyes lustrous in the
pale face. He speaks in a hoarse voice:
"Doctor, there is something the matter with my side. I have
pains, and I cough bad at night, and in the morning----"
"All right," the doctor interrupts, without looking up from his
note book. "Give him some salts," he adds, with a nod to his
assistant.
"Next!" the Deputy calls.
"Will you please excuse me from the shop for a few days?" the
sick prisoner pleads, a tremor in his voice.
The physician glances questioningly at the Deputy. The latter
cries, impatiently, "Next, next man!" striking the desk twice,
in quick succession, with the knuckles of his hand.
"Return to the shop," the doctor says to the prisoner.
"Next," the Deputy calls, spurting a stream of tobacco juice
in the direction of the cuspidor. It strikes sidewise, and
splashes over the foot of the approaching new patient, a young
negro, his neck covered with bulging tumors.
"Number?" the doctor inquires.
"One-thirty-seven, A one-thirty-seven!" the Deputy mumbles, his
head thrown back to receive a fresh handful of "scrap" tobacco.
"Guess Ah's got de big neck, Ah is, Mistah Boyce," the negro
says hoarsely.
"Salts. Return to work. Next!"
"A one-twenty-six!"
A young man with parchment-like face, sere and yellow, walks
painfully from the line.
"Doctor, I seem to be gettin' worser, and I'm afraid----"
"What's the trouble?"
"Pains in the stomach. Gettin' so turrible, I----"
"Give him a plaster. Next!"
"Plaster hell!" the prisoner breaks out in a fury, his face
growing livid. "Look at this, will you?" With a quick motion he
pulls his shirt up to his head. His chest and back are entirely
covered with porous plasters; not an inch of skin is visible.
"Damn your plasters," he cries with sudden sobs, "I ain't got
no more room for plasters. I'm putty near dyin', an' you won't
do nothin' fer me."
The guards pounce upon the man, and drag him into the rotunda.
_The Keepers_
Public-domain text, read in full here on John Shaqi.
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