The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
General
The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
Social justice; Social problems
(One of the most famous of the Russian writer's stories, in which he
describes the execution of a group of Terrorists, analyzing their
sensations in their separate cells, and on their journey together to
the foot of the gallows)
The Unknown, surnamed Werner, was a man fatigued by struggle.
He had loved life, the theatre, society, art, literature,
passionately. Endowed with an excellent memory, he spoke
several languages perfectly. He was fond of dress, and had
excellent manners. Of the whole group of terrorists he was
the only one who was able to appear in society without risk of
recognition.
For a long time already, and without his comrades having
noticed it, he had entertained a profound contempt for men.
More of a mathematician than a poet, ecstasy and inspiration
had remained so far things unknown to him; at times he would
look upon himself as a madman seeking to square the circle in
seas of human blood. The enemy against which he daily struggled
could not inspire him with respect; it was nothing but a
compact network of stupidities, treasons, falsehoods, base
deceits....
Werner understood that the execution was not simply death, but
also something more. In any case, he was determined to meet it
calmly, to live until the end as if nothing had happened or
would happen. Only in this way could he repress the profoundest
contempt for the execution and preserve his liberty of mind.
His comrades, although knowing well his cold and haughty
intrepidity, would perhaps not have believed it themselves; but
in the courtroom he thought not of life or of death: he played
in his mind a difficult game of chess, giving it his deepest
and quietest attention. An excellent player, he had begun this
game on the very day of his imprisonment, and he had kept it
up continually. And the verdict that condemned him did not
displace a single piece on the invisible board.
Now he was shrugging his shoulders and feeling his pulse. His
heart beat fast, but tranquilly and regularly, with a sonorous
force. Like a novice thrown into prison for the first time, he
examined attentively the cell, the bolts, the chair screwed to
the wall, and said to himself:
"Why have I such a sensation of joy, of liberty? Yes, of
liberty; I think of to-morrow's execution, and it seems to me
it does not exist. I look at the walls, and they seem to me not
to exist either. And I feel as free as if, instead of being in
prison, I had just come out of another cell in which I had been
confined all my life."
Werner's hands began to tremble, a thing unknown to him. His
thought became more and more vibrant. It seemed to him that
tongues of fire were moving in his head, trying to escape from
his brain to lighten the still obscure distance. Finally the
flame darted forth, and the horizon was brilliantly illuminated.
Public-domain text, read in full here on John Shaqi.
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