The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
General
The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
Social justice; Social problems
It hung in the strongest light of the shadowy church.
Apparently it was of wood stained to a pale rose, with peculiar
blue and brown shadows. The wounds in the side and under the
thorns on the forehead were distinct to exaggeration--all
purple and swollen, with great streaks of blood like dark-red
sealing-wax. The face, with its closed eyes, wore a look of
distress, and a large circle of gold and precious stones
waggishly adorned the usual russet-colored, cork-screwy,
woodeny locks. The cross itself was of shining gold, and each
of its four extremities was ornamented, while a nice, wavy
paper above the head bore the letters I. N. R. I. One could
see that it was all brand-new, and freshly gilded and painted.
Wreaths and bouquets of paper flowers embellished the altar.
For a long time--perhaps a quarter of an hour--Johannes
continued to look at the image. "That is Jesus," he muttered
to himself, "He of whom I have so often heard. Now I am going
to learn about Him, and He is to comfort me. He it is who has
redeemed the world."
But however often he might repeat this, trying seriously
to convince himself--because he would have been glad to be
convinced and also to be redeemed--he could nevertheless see
nothing except a repulsive, ugly, bloody, prinked-up wooden
doll. And this made him feel doubly sorrowful and disheartened.
Fully fifteen minutes had he sat there, looking and musing,
hearing the people around him chatting--about the price they
had paid for their places, about the keeping on or taking
off of women's hats, and about the reserved seats for the
first families. Then the door of the sacristy opened, and the
choir-boys with their swinging censers, and the sacristan, and
the priests in their beautiful, gold-bordered garments, came
slowly and majestically in. And as the congregation kneeled,
Johannes kneeled with them.
And when Johannes, as well as the others, looked at the
incoming procession, and then again turned his eyes to the high
altar, behold! there, to his amazement, kneeling before the
white altar, he saw a dark form. It was in plain sight, bending
forward in the twilight, the arms upon the altar, and the face
hidden in the arms. A man it was, in the customary dark clothes
of a laborer. No one--neither Johannes nor probably any one
else in the church--had seen whence he came. But he was now in
the full sight of all, and one could hear whisperings and a
subdued excitement run along the rows of people and pass on to
the rear, like a gust of wind over a grain-field.
As soon as the procession of choir-boys and priests came
within sight of the altar, the sacristan stepped hastily out
of line and went forward to the stranger, to assure him that,
possibly from too deep absorption in devotion, or from lack
of familiarity with ecclesiastical ceremony, he was guilty of
intrusion.
Public-domain text, read in full here on John Shaqi.
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