The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
General
The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
Social justice; Social problems
These manipulations consisted in the priest, hampered by the
gold cloth sack he had on, regularly lifting and holding up
his arms and then sinking to his knees and kissing the table
and all that was on it; but chiefly in his taking a cloth by
two of its corners and waving it rhythmically and softly over
the silver saucer and the golden cup. It was supposed that at
this point the bread and the wine turned into flesh and blood;
therefore this part of the service was performed with the
utmost solemnity. And the convicts made the sign of the cross,
and bowed, first at each sentence, then after every two, and
then after three; and all were very glad when the glorification
ended and the priest shut the book with a sigh of relief and
retired behind the partition. One last act remained. The priest
took from a table a large gilt cross with enamel medallions
at the ends, and came out into the center of the church with
it. First the inspector came up and kissed the cross, then
the jailers, and then the convicts, pushing and jostling, and
abusing each other in whispers. The priest, talking to the
inspector, pushed the cross and his hand, now against the
mouths and now against the noses of the convicts, who were
trying to kiss both the cross and the hand of the priest. And
thus ended the Christian service, intended for the comfort and
edification of these brothers who had gone astray.
And none of these present, from the inspector down, seemed
conscious of the fact that this Jesus, whose name the priest
repeated such a great number of times, whom he praised with
all these curious expressions, had forbidden the very things
that were being done there; that he had not only prohibited
this meaningless much-speaking and the blasphemous incantation
over the bread and wine, but had also, in the clearest words,
forbidden men to call other men their master or to pray in
temples; had taught that every one should pray in solitude;
had forbidden to erect temples, saying that he had come to
destroy them, and that one should worship not in a temple, but
in spirit and in truth; and, above all, that not only had he
forbidden to judge, to imprison, to torment, to execute men, as
was done here, but had even prohibited any kind of violence,
saying that he had come to give freedom to the captives.
Public-domain text, read in full here on John Shaqi.
The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years — John Shaqi
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