The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
General
The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
Social justice; Social problems
It was my uncle's genius that did it. No doubt he
needed me--I was, I will admit, his indispensable right
hand; but his was the brain to conceive. He wrote every
advertisement; some of them even he sketched. You must
remember that his were the days before the _Times_
took to enterprise and the vociferous hawking of that
antiquated _Encyclopædia_. That alluring, button-holing,
let-me-just-tell-you-quite-soberly-something-you-ought-to-know
style of newspaper advertisement, with every now and then a
convulsive jump of some attractive phrase into capitals, was
then almost a novelty. "Many people who are MODERATELY well
think they are QUITE well," was one of his early efforts. The
jerks in capitals were, "DO NOT NEED DRUGS OR MEDICINE," and
"SIMPLY A PROPER REGIMEN TO GET YOU IN TONE." One was warned
against the chemist or druggist who pushed "much-advertised
nostrums" on one's attention. That trash did more harm than
good. The thing needed was regimen--and Tono-Bungay!
Very early, too, was that bright little quarter column, at
least it was usually a quarter column in the evening papers:
"HILARITY--TONO-BUNGAY. Like Mountain Air in the Veins."
The penetrating trio of questions: "Are you bored with your
Business? Are you bored with your Dinner? Are you bored with
your Wife?"--that, too, was in our Gower Street days. Both
these we had in our first campaign when we worked London south,
central, and west; and then, too, we had our first poster,--the
HEALTH, BEAUTY AND STRENGTH one. That was his design; I happen
still to have got by me the first sketch he made for it....
By all modern standards the business was, as my uncle would
say, "absolutely _bona fide_." We sold our stuff and got the
money, and spent the money honestly in lies and clamor to sell
more stuff. Section by section we spread it over the whole
of the British Isles; first working the middle-class London
suburbs, then the outer suburbs, then the home counties,
then going (with new bills and a more pious style of "ad")
into Wales, a great field always for a new patent-medicine,
and then into Lancashire. My uncle had in his inner office a
big map of England, and as we took up fresh sections of the
local press and our consignments invaded new areas, flags
for advertisements and pink underlines for orders showed our
progress.
"The romance of modern commerce, George!" my uncle would say,
rubbing his hands together and drawing in air through his
teeth. "The romance of modern commerce, eh? Conquest. Province
by Province. Like sogers."
We subjugated England and Wales; we rolled over the Cheviots
with a special adaptation containing eleven per cent. of
absolute alcohol; "Tono-Bungay: Thistle Brand." We also had
the Fog poster adapted to a kilted Briton in a misty Highland
scene....
Public-domain text, read in full here on John Shaqi.
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