The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
General
The Cry for Justice: An Anthology of the Literature of Social Protest: The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice; selected from twenty-five languages; covering a period of five thousand years
Social justice; Social problems
And there were others, strange, weird faces and forms and
twisted monstrosities that shouldered me on every side,
inconceivable types of sodden ugliness, the wrecks of society,
the perambulating carcasses, the living deaths--women, blasted
by disease and drink till their shame brought not tuppence
in the open mart; and men, in fantastic rags, wrenched by
hardship and exposure out of all semblance of men, their faces
in a perpetual writhe of pain, grinning idiotically, shambling
like apes, dying with every step they took and every breath
they drew. And there were young girls, of eighteen and twenty,
with trim bodies and faces yet untouched with twist and bloat,
who had fetched the bottom of the Abyss plump, in one swift
fall. And I remember a lad of fourteen, and one of six or
seven, white-faced and sickly, homeless, the pair of them, who
sat upon the pavement with their backs against a railing and
watched it all....
The unfit and the unneeded! The miserable and despised
and forgotten, dying in the social shambles. The progeny
of prostitution--of the prostitution of men and women and
children, of flesh and blood, and sparkle and spirit; in
brief, the prostitution of labor. If this is the best that
civilization can do for the human, then give us howling and
naked savagery. Far better to be a people of the wilderness
and desert, of the cave and the squatting place, than to be a
people of the machine and the Abyss.
A Night's Lodging
BY MAXIM GORKY
(A true voice of the Russian masses, born 1868; by turns peddler,
scullery-boy, baker's assistant and tramp, he became all at once the
most widely known of Russian writers. In this play he has portrayed
the misery of the outcasts of his country. The scene is in the cellar
of an inn, the haunt of thieves and tramps. Luka, the aged pilgrim, is
talking to a young girl)
LUKA:--Treat everyone with friendliness--injure no one.
NATASHA:--How good you are, grandfather! How is it that you are
so good?
LUKA:--I am good, you say. Nyah--if it is true, all right. But
you see, my girl--there must be some one to be good. We must
have pity on mankind. Christ, remember, had pity for us all and
so taught us. Have pity when there is still time, believe me,
that is right. I was once, for example, employed as a watchman,
at a country place which belonged to an engineer, not far from
the city of Tomsk, in Siberia. The house stood in the middle
of the forest, an out-of-the-way location; and it was winter
and I was all alone in the country house. It was beautiful
there--magnificent! And once--I heard them scrambling up!
NATASHA:--Thieves?
Public-domain text, read in full here on John Shaqi.
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