Hilda looked out through the door. She turned and went out into the
hall. She came back and looked around the room. She went to the
window and looked out. The twilight was fading. The gloom was
lessening from around the dim groves and shadowy trees. Morning was
coming. She went back into the room, and once more into the hall.
There she stood and listened. The Earl followed her with his
eyes--eyes that were full of awful expectation.
Hilda came back. The Earl summoned all his strength, and uttered a
faint cry. Hilda walked up to him; she stooped down over him. The
Earl uttered another cry. Hilda paused. Then she stooped down and
kissed his forehead.
The Earl gasped. One word came hissing forth--"Judas!"
CHAPTER XXIII.
THE HOUSE OF MOURNING.
Zillah had scarcely fallen asleep when a shrill cry roused her. She
started up. Hilda stood by her side with wild excitement in her
usually impassive face. A cold thrill ran through Zillah's frame. To
see Hilda in any excitement was an unknown thing to her; but now this
excitement was not concealed.
"Oh, my darling! my darling!" she cried.
"What? what?" Zillah almost screamed. "What is it? What has
happened?" Fear told her. She knew what had happened. One thing, and
one only, could account for this.
"He's gone! It's over! He's gone! He's gone! Oh, darling! How can I
tell it? And so sudden! Oh, calm yourself!" And Hilda flung her arms
about Zillah, and groaned.
Zillah's heart seemed to stand still. She flung off Hilda's arms, she
tore herself away, and rushed to the Earl's room. Such a sudden thing
as this--could it be? Gone! And it was only a few moments since she
had seen his last glance, and heard his last words.
Yes; it was indeed so. There, as she entered that room, where now the
rays of morning entered, she saw the form of her friend--that friend
whom she called father, and loved as such. But the white face was no
longer turned to greet her; the eyes did not seek hers, nor could
that cold hand ever again return the pressure of hers. White as
marble was that face now, still and set in the fixedness of death;
cold as marble was now that hand which hers clasped in that first
frenzy of grief and horror; cold as marble and as lifeless. Never
again--never again might she hold commune with the friend who now was
numbered with the dead.
Public-domain text, read in full here on John Shaqi.
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