United States -- Social life and customs -- 20th century -- Fiction; Young women -- Fiction
“Sorry. Let’s forget it. Suppose we go over to the Boardwalk and look at
the lights. We might take in a movie.”
“All right. Come along.”
CHAPTER XXIII
The band was in a small gallery, built originally for musicians, at the
left of the stair. As the manor house was still dependent upon gas the
hall was illuminated by pine torches, safely ensconced in tall vases.
The minuet, which had terminated in a romp, was over, and the guests
were crowded about a punch-bowl which had been wheeled in on a
buffet-wagon.
The girls had accepted the idea of bygone costumes with enthusiasm, but
the men had required a good deal of persuasion. Bylant’s friends had
protested at what would look like giving their countenance to a brand of
fiction they despised, and at sacrificing their earnest modernism for
even a night. But after they saw the contents of the chests at Bylant’s
rooms they succumbed: either out of inherent boyishness or man’s secret
love of plumage. There were four of them: Fellowes Merton, dramatic
critic, Max Durand, columnist, De Witt Turner, stern realist in fiction,
Potts Dawes, high priest of vers libre. Each was obliged to wear the
costume that fitted him, approximately; and Turner, who was a very tall
heavy man, went out and bought flounces of white cambric and sewed them
to the edges of his court uniform’s sleeves and knee-breeches. They were
all obliged to invest in long silk stockings, and applied the largest
buckles they could find to their evening pumps.
Polly’s young men sulkily took what was left, and having less
imagination than the others, announced that they felt like tame monkeys.
Bylant sent the fanciest of the costumes to Mrs. Pelham’s house, and
Geoffrey cursed his friend and vowed he would not wear it. But he did.
He had not appeared in time for the minuet, and Gita, who was standing
apart, saw him as he entered and for a moment did not recognize him. He
wore a long coat of pale blue satin, richly embroidered, over a white
satin vest reaching to his knees, white silk stockings, satin shorts and
black pumps. There were deep lace ruffles at the wrists and a jabot hung
from his high stock. His white wig was tied with a blue ribbon, and
altogether he looked as little like a hard-working surgeon of the
twentieth century as possible. She noticed swiftly that his eyebrows
were darker than she had thought, and that the blue of his eyes was
intensified by the costume.
It was evident that he had entered into the spirit of the masquerade,
for his habitual expression of nervous concentration had been replaced
by—mingled boyish wonder and delight in his unexpected good looks? Gita
knew that even as a boy he had been serious and ambitious and known few
of the common impulses of youth.
He came forward smiling and shook Gita’s hand, then remembered his part
and would have raised it to his lips, but she drew it away hastily.
Public-domain text, read in full here on John Shaqi.
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