The Cuckoo in the Nest, v. 1/2Oliphant, Mrs. (Margaret)
General
The Cuckoo in the Nest, v. 1/2
Oliphant, Mrs. (Margaret)
Fiction
“Why should I rest---- between the library and the stairs? I want to get
to my room; I want to get to bed. What---- what are you standing there
for, not giving me your arm? I’ll---- I’ll be on my nose---- if you
don’t mind. Give me---- your arm, Meg. Meg!” The old lady gave a dull
cry, and moved her left arm about as if groping for some support,
though the other was clasped strongly in that of Margaret, who was
holding up her aunt’s large wavering person with all the might she had.
As she cried out for help, Lady Piercey sank down like a tower falling,
dragging her companion with her; yet turning a last look of reproach
upon her, and moving her lips, from which no sound came, with what
seemed like upbraiding. There was a rush from all quarters at Margaret’s
cry. Parsons and Dunning came flying, wiping their mouths, from the
merry supper-table, where they had been discussing Mr. Gervase--and the
other servants, in a crowd, and Gerald Piercey from the room they had
just left. Margaret had disengaged herself as best she could from the
fallen mass of flesh, and had got Lady Piercey’s head upon her shoulder,
from which that large pallid countenance looked forth with wide open
eyes, with a strange stare in them, some living consciousness mingling
with the stony look of the soul in prison. Except that stare, and a
movement of the lips, which were unable to articulate, and a slight
flicker of movement in the left hand, still groping, as it seemed, for
something to clutch at, she was like a woman made of stone.
And all in a moment, without any warning; without a sign that any one
understood! Parsons, wailing, said that she wasn’t surprised. Her lady
had done a deal too much getting Mr. Gervase off; she had been worried
and troubled about him, poor dear innocent! She hadn’t slept a wink for
two nights, groaning and turning in her bed. “But, for goodness gracious
sake!” cried Parsons, “some one go back to master, or we’ll have him on
our ’ands, too. Mrs. Osborne, Lord bless you! go to master. You can’t be
no use here; we knows what to do--Dunning and me knows what to do. Go
back to Sir Giles--go back to Sir Giles! or we won’t answer for none of
their lives!”
“Cousin Gerald, go to my uncle. Tell him she’s a little faint. I will
come directly and back you up, as soon as they can lift her. Go!” cried
Margaret, with a severity that was not, perhaps, untouched, even at this
dreadful moment, by a consciousness of the opinion he was supposed to
have formed of her. It was as if she had stamped her foot at him, as she
half-sat, half-lay, partially crushed by the fall of the old lady’s
heavy body, with the great death-like face surmounted by the red ribbons
of the cap laid upon her breast. Those red ribbons haunted several minds
for a long time after; they seemed to have become, somehow, the most
tragic feature of the scene.
Public-domain text, read in full here on John Shaqi.
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