The Cuckoo in the Nest, v. 2/2Oliphant, Mrs. (Margaret)
General
The Cuckoo in the Nest, v. 2/2
Oliphant, Mrs. (Margaret)
Fiction
This effect, however, was shortly after explained to her in the most
trying way. The night grew darker and darker, and colder and colder. The
Seven Thorns must have been closed long ago, and all its revellers
dispersed to their homes. What could have happened to Gervase? where
could he have gone? Could he have taken so much that he was made to stay
there, as unable to take care of himself, a thing which Patty could
remember to have happened in her time? She became afraid to look at her
watch or to listen to a clock, in the sickness of her heart. It was
impossible but that he must have reached home long ago had he left the
Seven Thorns in the natural way. Oh, where was he? where was he? Where
had he gone? what had happened to him? Patty dared not go upstairs to
bed, even when she was convinced that he could not be coming now; for
her father, she was sure, would turn him out in the early morning if
this was what had happened. Yet how could she remain up, and on the
watch, when the servants would be stirring, revealing what had happened
to the whole household? Patty is, perhaps, not a person for whom to
appeal to the reader’s sympathies, but she was very unhappy, very
anxious, not knowing what to think.
At last, in the blackest hour of the night, about three o’clock or so in
the morning, her anxious ear heard, or seemed to hear, a faint sound.
Steps, and then a pause, and then steps again, and the sound of the
little side gate in the beech avenue pushed open. Patty was immediately
on the alert, with unspeakable relief in her mind. But the sounds were
not those of one man stumbling home. Sometimes there was a noise as of
something being tugged along the grass, then another stop, and the steps
again making the gravel fly, and then the sound as of a fall. In her
terror she stole out into the darkness, fearing she knew not what, and
at last, by faint perception through the gloom, by sound, and by almost
contact in the stifling dark, perceived how it was--her husband,
scarcely conscious, being dragged and hustled along through the dark by
another man.
“Is it you, Gervase? oh, is it you, Gervase?” she cried.
Oh, poor Patty! is there any one so hard-hearted as to refuse to pity
her in her misery? The voice that answered her out of the blackness of
the night was not that of Gervase. He uttered no sound but that of heavy
breath. Yet it was a well-known voice, a voice that made her heart jump
to her throat with intolerable horror, anger, and shame--to hear how
sober, manful, energetic, and capable it was.
“There’s nothing wrong with him,” it said, clearly and quickly, “except
that he’s drunk. Show a light and I’ll get him in. I’ve had such a job,
but I’ll manage now; only for goodness’ sake look sharp and show a
light.”
It was the voice of Roger Pearson, whom she had been thinking of, whose
presence had sent some subtle intimation through the air to bring him to
her thoughts.
Public-domain text, read in full here on John Shaqi.
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