But to describe Mildmay's feelings when he was suddenly introduced into this novel world is more difficult. He was taken entirely by surprise. He did not know anything about the curate in charge. If he thought of his predecessor at all it was the late rector he thought of, who had died on the shores of the Bay of Naples after a life-long banishment from England. He could understand all that; to go away altogether after art, antiquity, Pompeii, classic editings, and æsthetic delights was perfectly comprehensible to the young Oxford man. But this--what was this? The old man before him, so gentle, so suave, so smiling, his own inferior in position, for was he not rector elect, while Mr. St. John was but curate? Yet so far above him in years and experience, and all that constitutes superiority among gentlemen of equal breeding. Why was he here as curate? and why did _that_ girl look at himself with so much suppressed passion in her eyes? and where had the other been trained to draw so well? and what was the meaning of the two children, so unlike all the others, whom his young enemy had carried off impetuously, instead of ringing the bell for their nurse as any one else would have done? Mildmay felt a thrilling sensation of newness as he sat down at the tea-table, and looked on, an interested spectator at all that was proceeding under his eyes. This in its way was evidently _life_; there was no mistaking the passion that existed underneath this quiet surface, the something more than met the eye. Was it a skeleton in the closet, as the domestic cynic says? But these were not words that seemed to apply to this calm old man and these young girls. It was life, not the quiet of books, and learned talk, and superficial discussion, but a quiet full of possibilities, full of hidden struggle and feeling. Mildmay felt as if he had come out of his den in the dark like an owl, and half blinking in the unusual light, was placed as spectator of some strange drama, some episode full of interest, to the character of which he had as yet no clue. "You are looking at the furniture; it is not mine," said Mr. St. John, "except the carpets, which, as you say, are much worn. The other things are all Mr. Chester's. I am expecting every day to hear what is to be done with them. Most likely they will sell it; if you wanted anything----" Mildmay made a gesture of horror in spite of himself, and Mab laughed. "You do not think Mr. Mildmay wants all that mahogany, papa? The catafalque there, Cicely and I agreed it was more like a tomb in Westminster Abbey than anything else."