The Curious Lore of Precious Stones: Being a description of their sentiments and folk lore, superstitions, symbolism, mysticism, use in medicine, protection, prevention, religion, and divination. Crystal gazing, birth-stones, lucky stones and talismans, astral, zodiacal, and planetaryKunz, George Frederick
Religion
The Curious Lore of Precious Stones: Being a description of their sentiments and folk lore, superstitions, symbolism, mysticism, use in medicine, protection, prevention, religion, and divination. Crystal gazing, birth-stones, lucky stones and talismans, astral, zodiacal, and planetary
Kunz, George Frederick
Gems; Gems -- Folklore
NINE GEMS.
English Sanskrit Burmese Chinese (Canton) Arabic
Diamond Vajra Chein Chun-syak Mâs
Ruby Manikya Budmiya Se-fla-yu-syak Yâkût bihar
Cat’s-eye Vaidûrya Châno Mâu-ji gan Ain al-hirr
Zircon Gomeda Gomok Pi-si Hajar yamânî
Pearl Muktâ Pa-le Chun-ti Lûlû
Coral Pravâla Tadâ Sau-ho-chi Murjân
Emerald Marakata Mujâ Luk-syak Zumurrud
Topaz Pushyaraga Outfiyâ Si-lang-syak Yâkût al-azrak
Sapphire Nîla Nîlâ Chang-syak Yâkût al-açfar
Among the Burmese the value for occult purposes of the nine gems
composing the naoratna, or nararatna, is strictly determined in the
following order: first, the ruby; second, the diamond, or rock-crystal;
third, the pearl; fourth, the coral; fifth, the topaz; sixth, the
sapphire; seventh, the cat’s-eye; eighth, the amethyst; and ninth, the
emerald.[368] That the ruby, diamond and pearl should occupy places of
honor is quite natural, but the relegation of the sapphire to sixth
place, after coral and topaz, seems to be a rather unfair treatment of
this beautiful stone.
[Illustration: SCULPTURED JADE MOUNTAIN.
Probably the largest mass of sculptured jade in existence. The design
commemorates the meetings of a literary club of the fourth century. The
Chinese characters (colored red) in the side of the cliff express the
famous _Lan Ting Hsu_, or “Epidendron Pavilion Essay,” by Wang Hi-che
(A.D. 321-379), ever since used by the Chinese as a model of elegant
caligraphy, and were engraved directly from the autograph of the
Emperor Ch’ien-lung, written by him in 1784. Height 23 inches, width
38½ x 18½ inches; weight 640 pounds. From the Summer Palace, west
of Peking. Collection of T. D. Walker, of Minneapolis, Minn.]
The yellow girdles worn by the Chinese emperors of the Manchu dynasty
were variously ornamented with precious stones according to the
different ceremonial observances at which the emperor presided. For
the services in the Temple of Heaven, the very appropriate choice
of lapis-lazuli ornaments was made; for the Altar of Earth, yellow
jade was favored; for a sacrifice on the Altar of the Sun, the gems
were red corals, while white jade was selected for the ceremonies
before the Altar of the Moon. Jade of different colors was used for
the six precious tablets employed in the worship of heaven and earth
and the four cardinal points. For the worship of Heaven there was
the dark-green round tablet; for that of Earth, an octagonal tablet
of yellow jade. The East was worshipped with a green pointed tablet;
the West was worshipped with the white “tiger-tablet”; the North with
a black, semi-circular tablet, and the South with a tablet of red
jade.[369]
Public-domain text, read in full here on John Shaqi.
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