The Curious Lore of Precious Stones: Being a description of their sentiments and folk lore, superstitions, symbolism, mysticism, use in medicine, protection, prevention, religion, and divination. Crystal gazing, birth-stones, lucky stones and talismans, astral, zodiacal, and planetaryKunz, George Frederick
Religion
The Curious Lore of Precious Stones: Being a description of their sentiments and folk lore, superstitions, symbolism, mysticism, use in medicine, protection, prevention, religion, and divination. Crystal gazing, birth-stones, lucky stones and talismans, astral, zodiacal, and planetary
Kunz, George Frederick
Gems; Gems -- Folklore
When Moses wished to engrave on the stones of the breastplate the
names of the twelve tribes of Israel, he is said to have had recourse
to the miraculous _shamir_. The names were first traced in ink on the
stones, and the shamir was then passed over them, the result being
that the traced inscriptions became graven on the stones. In proof of
the magical character of this operation, no particles of the gems were
removed in the process.[412] The name really designates “emery.”
[Illustration: THE HEBREW HIGH-PRIEST ATTIRED WITH HIS VESTMENTS.
(From Johann Braun’s “Vestitus Sacerdotum Hebræorum,” Amsterdam, 1680,
opp. p. 822.)]
An argument against the use of especially rare and costly stones in the
decoration of the breastplate has been found in its probable size.[413]
We are told that when folded it measured a span in each direction, and
this would indicate that its length and breadth were each from eight
to nine inches. In this case the stones themselves might have measured
two by two and a half inches, and, in view of the number of characters
required to express some of the tribal names, these dimensions do not
seem excessive. It is highly improbable that in the time of Moses
precious stones like the ruby, the emerald, or the sapphire would have
been available in these dimensions. The difficulty of engraving very
hard stones with the appliances at the command of the Hebrews of this
period must also be taken into consideration. As we shall see, however,
there is good reason to believe that after the Babylonian Captivity a
new breastplate was made, and at that time it may have been easier to
secure and work precious stones of great value and a high degree of
hardness. We must also bear in mind that in those periods perfection
was not so great a requisite as rich color.
[Illustration: I, II, THE BREASTPLATE UNFOLDED.
_A_, lower fold; _B, B, B, B_, rings for attachment to Ephod; _C_,
the twelve gems in their settings; _D, D_, hooks for attachment to
shoulder; _E, E_, bands to pass through rings in Ephod.
III. EPHOD WITH BREASTPLATE FOLDED AND ATTACHED.
_G, G_, rings through which pass bands of Breastplate; _H, H_, bands of
Ephod. From Johann Braun’s “Vestitus Sacerdotum Hebræorum,” Amsterdam,
1680.]
Public-domain text, read in full here on John Shaqi.
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