The Curious Lore of Precious Stones: Being a description of their sentiments and folk lore, superstitions, symbolism, mysticism, use in medicine, protection, prevention, religion, and divination. Crystal gazing, birth-stones, lucky stones and talismans, astral, zodiacal, and planetaryKunz, George Frederick
Religion
The Curious Lore of Precious Stones: Being a description of their sentiments and folk lore, superstitions, symbolism, mysticism, use in medicine, protection, prevention, religion, and divination. Crystal gazing, birth-stones, lucky stones and talismans, astral, zodiacal, and planetary
Kunz, George Frederick
Gems; Gems -- Folklore
Many engraved stones of the Roman imperial period bore the figures
of Serapis and of Isis, the former signifying Time and the latter
Earth. On other stones the symbols of the zodiacal signs appear,
referring to the natal constellation of the wearer. The astrologers,
who derived their lore from the Orient, were consulted by all classes
of the Roman people, and it is therefore very natural that the signet,
or the ring worn as an amulet, should frequently have been engraved
with astrological symbols. These designs were usually engraved on
onyxes, carnelians, and similar stones, in Greek and Roman times; but
occasionally the emerald was used in this way, and more rarely the
ruby or the sapphire. Here the costliness of the material was probably
thought to enhance the value of the amulet. The emerald ring of
Polycrates must have possessed some other than a purely artistic value
in his eyes, when it could be regarded by him as the most precious of
his possessions.
In Roman times the image of Alexander the Great was looked upon as
possessing magic virtues, and it is related that when Cornelius
Macer gave a splendid banquet in the temple of Hercules, the chief
ornament of the table was an amber cup, in the midst of which was a
portrait of Alexander, and around this his whole history figured in
small, finely engraved representations. From this cup Macer drank to
the health of the pontifex and then ordered that it should be passed
around among the guests, so that each one might gaze upon the image
of the great man. Pollio, relating this, states that it was a common
belief that everything happened fortunately for those who bore with
them Alexander’s portrait executed in gold or silver.[183] Indeed, even
among Christians coins of Alexander were in great favor as amulets, and
the stern John Chrysostom sharply rebukes those who wore bronze coins
of this monarch attached to their heads and their feet.[184]
Nowhere in the world was the use of amulets so common as in Alexandria,
especially in the first centuries of our era, and the types produced
here were scattered far and wide throughout the Roman world. Amulets
made from various colored stones had been used for religious purposes
in Egypt from the very earliest period of its history, so that the
custom was deeply rooted in that land. When, therefore, Alexandria was
founded in the fourth century B.C., and became a great commercial
centre, attracting men of all races and all religions, it is not
surprising that the population eagerly adopted the various amulets
used by the adherents of the different religions. The result was a
combining and confusion of many different types. With the rapid rise
and growth of the Christian religion, a new element was introduced.
Unquestionably the leading Christian teachers were strongly opposed to
such superstitious practices, but the rank and file of the faithful
clung to their old fancies.
Public-domain text, read in full here on John Shaqi.
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