The curse of Clifton : $b or, the widowed brideSouthworth, Emma Dorothy Eliza Nevitte
General
The curse of Clifton : $b or, the widowed bride
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Man-woman relationships -- Fiction
Then followed a long account of the catastrophe, with every revolting
circumstance detailed with horrid distinctness. The old man heard and
groaned at intervals. Carolyn shuddered and wept by turns. And even
Georgia’s voice broke down for pity and horror. But _she_—the wife—the
widow—she—the fearfully bereaved—she sat and listened to all the
murderous story. She heard all—all. How he had been set upon by six or
seven—how he had singly battled with them, when all his party were lying
dead around him—how then he tried to escape such fearful odds—how he was
felled, and dragged down from his horse—the young, warm beating heart
was cloven through—the fair hair torn from the bleeding skull—the
fingers chopped off for the sake of the ring—Frank wore but one—a simple
gold ring, with a coral set, that she had taken from her slender fore
finger, and contrived to squeeze past the joint, and get it comfortably
upon his little finger. And they had cut it off in their haste to get
it. How real that trifle made the whole horror, that might else have
seemed like a nightmare! She sat and heard it all—all. And no motion, no
tear, no cry escaped her.
At last, when the reading was over, and they were released from the
spell of horror, old Mr. Clifton thought of Zuleime, and feared its
effect on her. He turned to look at her. At first he saw nothing amiss.
She sat so naturally, though still, with her knitting in her hands, as
though only stopped for an instant, and her face turned in a listening
attitude toward Georgia, who had ceased to read.
“It is all over—there is no more to hear, Zuleime, my darling,” said the
old man.
But she did not move or speak. She seemed to look and listen intently.
“Zuleime,” said her father gently.
She remained perfectly still.
“_Zuleime!_” he exclaimed, in a louder tone. She did not hear.
“ZULEIME!!” he cried, a third time, going towards her, to seize her
shoulder.
But he started back in affright. They were all gazing at her now.
“My God! she is DEAD!” ejaculated the father.
“She is MAD!” exclaimed Georgia.
They gathered around her. She knew it not. She sat there as if frozen
into that attitude—her face white and hard—her lips bloodless and stiff,
and her eyes still fixed towards the spot from which Georgia had been
reading, but beyond it—beyond it—into the far distance, as if fascinated
by some spectacle there of unutterable horror!
“Zuleime! what are you looking at? Speak to me, my child!” cried her
father, in great distress.
He might as well have expected a statue to speak.
Carolyn took the knitting away, which, through all this, had dangled
between her stiff, unconscious fingers. Georgia rubbed her hands.
Carolyn bathed her face. The old man cried to her—all in vain! They
might as well have performed these offices for the dead.
Public-domain text, read in full here on John Shaqi.
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