The curse of Clifton : $b or, the widowed brideSouthworth, Emma Dorothy Eliza Nevitte
General
The curse of Clifton : $b or, the widowed bride
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Man-woman relationships -- Fiction
“Why? Why did you look for something, or rather, for everything
recherché and elegant in this crowd? Because you see in the newspaper
reports of such gatherings, such phrases as ‘the beautiful Miss A——?’—by
the way, there she is—the young lady with the red hair, milk-white
complexion and little eyes; or ‘the elegant Mrs. B——?’ ‘the graceful
Mrs. C——?’ etc., etc., etc., with revised and improved accounts of their
costume, appearance, manners, etc.? Miss Kavanagh, when you have stayed
in the city longer, you will know that when a newspaper reporter and
letter writer speaks of that dowdy, but wealthy little woman, in the
flimsy, scarlet dress, as ‘the beautiful, elegant, and accomplished Mrs.
G——,’ and tells of ‘the immense (imaginary) sensation’ she made—_he_,
the reporter, is morally certain of an invitation to her private
parties.”
Kate did not like his sarcastic tone, but before she could make any sort
of reply, her attention was called to a rising excitement in the room.
Every gentleman, from the fidgety little Major General, down to the
grave and dignified low comedian; and every lady, from the ex-Governor’s
fussy widow, to the stately and self-possessed stock actress, were on
the _qui vive_. Kate, while listening and watching for the cause of the
excitement, caught a few phrases that helped to enlighten her—they were
of this sort:—“A wonder! a perfect wonder! A miracle of dark beauty.”
“The wealthiest woman in the state, but that is nothing to her marvelous
beauty.” “Did you see her as ‘_Egypt_,’ at the fancy ball?” “Her
portrait, in oil, by ——, stands in Stationers’ Hall. It has attracted
crowds.” “No—I have seen the engraving from it in ‘Beauty’s Annual’ for
this year. But I have also seen it on the tops of cigar boxes—too bad!”
“Hush! here she comes!”
Catherine turned her eyes in the direction towards which all others were
gazing. It was Georgia—dark, bright, and more beautiful and bewitching
than ever. Her dress was of lustrous black _crape-de-lise_, sprinkled
over with gold spangles, that gleamed in and out through the dark,
transparent drapery, suggesting clear, starlight night. A crowd entered
with the star-bright Circe—a crowd attended her during all her progress
through the room.
Public-domain text, read in full here on John Shaqi.
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