The curse of Clifton : $b or, the widowed brideSouthworth, Emma Dorothy Eliza Nevitte
General
The curse of Clifton : $b or, the widowed bride
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Man-woman relationships -- Fiction
The tailor looked at her again. He saw, from her gentle manners and
appearance, that she was a lady, guessed from her dress that she was a
widow, and knew by her errand that she was self-dependent, unprotected;
so there existed no earthly reason why a coarse-minded, craven-hearted
man, who spent his whole days in smirking, cringing, deprecating and
deferring to others, should not refresh his soul by a little
impertinence and insolence to so safe a subject as a _poor lady_.
“And you ever make vests?” he asked, in a short, curt, insolent manner.
“No,” answered Zuleime, “but I sew very neatly—unusually neatly, my
patrons say—and as you cut and baste the work, very little instruction
would enable me to make them very nicely.”
“I shan’t trust you! I have had quite enough in my time of giving out
work to people who know nothing about the business.”
It was not the words so much as the insulting manner of the man that
shocked the gentle-hearted woman, and she turned and left the shop,
ready to sink, not so much under disappointment, though she knew not
where to turn for work or money or food—but under the deeply humiliating
sense of the rudeness and vulgarity to which she was forced to expose
herself in this bitter struggle through the world. She walked slowly,
thoughtfully, sadly away from the shop, till the sudden thought of her
child’s awakening, electrified her, and she hurried on until she reached
home. She obtained her key from the landlady, in the basement, and
entered the passage. It was then that she heard a very sweet, gentle
voice, apparently near her room door, saying—
“Don’t cry, baby! _poor_ baby, don’t cry! mother will come by-and-by!
_Dear pretty_ baby, don’t cry! I’ll bring you all my playthings, and a
little dog, when I can get in.”
And then, in the pause of the child’s wails and broken talk, and baby
plaints, she ran up stairs at once, and there, kneeling before her door,
and talking through the key-hole, was a sweet little dark haired girl of
about five years old, and dressed in deep mourning. Her hat of the
finest Leghorn straw, the richness of the black ribbon that bound it—the
fineness of the black bombazine frock and the linen cambric tucker, the
delicate shoes and stockings—the gentle, refined manner, all bespoke a
child of a different rank from those seen in that neighborhood, and
especially in that house. The child got up and stood aside when she saw
the lady come with the key to unlock the door. When Zuleime had entered
her room, and lifted the babe to her lap, she called the little girl up
to her side. She was a lovely child indeed, with fair skin and delicate
features—jet black hair, eyebrows and eyelashes, and large, mournful,
dark gray eyes.
“You are a dear little girl. What is your name? asked Zuleime, pulling
her around her waist caressingly.
“Ida ——; see what a nice new black dress I’ve got. They gave it to me
when father died. Mother wears one, too. You’ve got a black dress on,
too! Is your father dead?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account