The curse of Clifton : $b or, the widowed brideSouthworth, Emma Dorothy Eliza Nevitte
General
The curse of Clifton : $b or, the widowed bride
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Man-woman relationships -- Fiction
family union, domestic happiness. Many a time, when going out to look
for work, she had walked quite around the square to get in front of the
mansion, and satisfy her soul with the architectural beauty and elegance
of the edifice, as it stood elevated by a flight of terraces far above
the street, and commanding for many miles the mighty course of the
river. Often in the autumn weather, had she walked under this southern
wall, and even in the midst of her deep distresses, looked up in
childish longing at the splendid autumnal flowers, trailing luxuriantly
over the iron railing. Why did this place interest her so? Not because
it was a palace-home, in such strong contrast to her own poor
dwelling—not because she passed it almost every day—not because its
magnificent grounds were ever before her sight from her own poor room.
Ah, no! But because there was a rural character, and a fine, old,
ancestral look about the place, that reminded her of her dear, lost
home. Everything connected with the premises interested her, even that
capacious family carriage, with its round bodied, gray coach horses, and
its fat coachman, which appeared every afternoon at a certain hour to
take the family out to drive. She did not care to inquire who lived
there. One day, when walking in front of the house on the other street,
she had seen a lady in deep mourning come out and get in the carriage.
She had time to see that the lady appeared bowed in grief, but possessed
so sweet and benevolent a face, that she was encouraged to call and ask
for work. So the next day she entered the beautiful grounds, and
ascended the stone steps that led flight by flight up the rising
terraces until she reached the Grecian portico and rang the bell. The
door was opened by a man servant, to whom she communicated her business.
He called a waiting-woman, who came, and after hearing what the visitor
wanted, explained civilly enough that all their needle-work was done by
a young person, who lived companion to her mistress, who was too infirm
to see strangers. Zuleime never tried there again. But the sweet,
sorrowful face of the lady haunted her, and she gazed from her poor
window upon the magnificent pleasure-grounds with more of interest than
ever.
Truly the world _is_ “full of paper walls.” How little Zuleime surmised
that the mourner in the palace sorrowed over the very same bereavement
that had laid her own life waste—that the fair-haired, tender-eyed lady,
whose grief-worn countenance haunted her so, was the mother of her lost
Frank; that the proud mansion-house, in the midst of its
pleasure-grounds, was the rightful inheritance of the poor babe that
rested on her wasted bosom.
How little did the childless and desolate recluse of the palace guess
that her lost son’s widow sat pining, starving so near her! The world is
full of paper walls, but fate makes them firmer, stronger, more
indestructible than adamant.
Public-domain text, read in full here on John Shaqi.
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