The curse of Clifton : $b or, the widowed brideSouthworth, Emma Dorothy Eliza Nevitte
General
The curse of Clifton : $b or, the widowed bride
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Man-woman relationships -- Fiction
“I was brought up in the privacy of domestic life; in the deep seclusion
of the country. I have never been used to _society_, much less to
_publicity_, and I am sure, that no matter how well I might be
instructed in my part, when I should come before an audience, I should
forget all about it, and half die of shame.”
“Ah, I suppose you have no vocation for it. An actress forgets her own
identity in that of the character she represents, and that enables her
to go through things she could not otherwise endure. But, my dear, I do
not see anything else you can do; and as for the ‘stage fright,’ as it
is called among us, you would soon get that off.”
Zuleime shook her head.
“My dear, you do not yet know the plan I have for you. I never
thought—no one would ever think of a sudden grand debut for _you_.
Nothing but great genius, strong vocation, and perfect self-possession
on the part of the _debutante_, would justify such a thing. No—the art
must be acquired, as other arts are—slowly. This is the plan I had for
you, and it entirely precludes the possibility of a stage fright, since
you are gradually inured to it. Do you understand me, now?”
“No, I do not!”
“Well, then, for instance—and to come to the point! The opera season is
about to commence, and the manager wishes to engage about half a dozen
young girls as chorus singers. Will you be one? The lowest salary they
ever give a chorus singer is six dollars a week—that is four times as
much as you ever earned by the tedious needle. Will you consent?”
Still Zuleime was silent.
“After the opera season is over, I make no doubt that your youth, beauty
and grace, and your very fine voice, will secure you a permanent
engagement at an advanced salary. Will you go with me to the manager
to-morrow?”
“No,” said Zuleime, “I should not dare to go upon the stage. I could not
face an audience.”
“And you need not face them! You would be in a group of young girls, and
no one would notice you, except casually as a part of the scenery. The
attention of the audience is taken up with the principal performers.
Besides, no one will know who you are. Your name need not appear upon
the bills. I will take every care of your feelings, if, indeed, you can
be sensible of them when hunger and cold are felt.”
“I do not like the life,” said Zuleime. “I had almost as willingly
starve.”
The actress arose and rung the bell.
“Oh! it is nothing to me, Mrs. Fairfax. Do as you please. I have no
earthly interest to serve in persuading you to this step,” she said,
with the old, cross, querulous look on her haggard face, and in her
beautiful dark, gray eyes.
Bertha came in and cleared away the table.
Mrs. Knight walked up and down the room in a hasty. irritated manner.
Public-domain text, read in full here on John Shaqi.
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