The curse of Clifton : $b or, the widowed brideSouthworth, Emma Dorothy Eliza Nevitte
General
The curse of Clifton : $b or, the widowed bride
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Man-woman relationships -- Fiction
And so to the theatre he went. It was quite early, and he was fortunate
in securing a seat in the centre of the first row of boxes, immediately
in front of the stage. In the meantime, Zuleime had been conducted by
Mrs. Knight into the theatre, and introduced into the common
dressing-room of the stock actresses. This was a large room, with a
broad shelf or dresser running around three sides of the walls, and
about four feet from the floor. This served as bureaus, dressing-tables,
and wash-stands for nine women, each of the three sides being occupied
by three, who equally divided the shelf, each one having her hand-boxes
under the shelf, and her looking-glass on top of it, leaning against the
wall, and her wash-basin, jars of rouge, boxes of powder, pots of
pomatum, etc., standing around it. On introducing her companion into
this apartment, Mrs. Knight said—
“All women belonging to the theatre use this as a common dressing-room,
except the ballet girls, who have one to themselves, and the stars, who
have separate and well furnished rooms.”
About half a dozen women were present now, each before her own glass,
with her own tallow candle, making her toilet.
“Who’s that, Knight, that you’ve got there?” asked a coarse-featured,
black-eyed girl, who always played the hoyden, or the wit, and fondly
believed herself a proficient in the Rosalind and Beatrice line. “I say,
Knight! is that the young ‘lady?’” she repeated, turning around with a
little wad of raw cotton, dipped in carmine, between her finger and
thumb, and exhibiting a face in process of being rejuvenated—namely,
with one young and blooming cheek, and one prematurely old and sallow.
“Yes, this is the young lady, Barry,” said Mrs. Knight, very gravely, as
she led her protégé off to her own corner of the common dresser.
“I think she might have sent her down with the ballet girls, as she is
really one of them,” grumbled a large, important looking female,
arranging a huge turban and curls upon her head, at the farther end of
the room. Two new ideas besides that of the common dressing-room and the
dressing shelf in general, Zuleime had got—namely, first, that there
really was some very lofty notions of rank and exclusiveness even among
the members of the stock company of a second rate theatre—secondly, that
they really, after all, did not differ much in that or any other respect
from people she had met in very high society, except, indeed, that they
had the odious habit of calling each other “Knight” or “Barry,” as men
do, without a prefix of any sort.
Public-domain text, read in full here on John Shaqi.
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