The curse of Clifton : $b or, the widowed brideSouthworth, Emma Dorothy Eliza Nevitte
General
The curse of Clifton : $b or, the widowed bride
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Man-woman relationships -- Fiction
Mrs. Georgia sought the garden, the open air, anywhere where she could
breathe freely. When the storm in her bosom had subsided, and reason was
again in the ascendant, she could have torn her hair and beat her
breast, yea, and rent her garments with excess of chagrin, to think that
she had so betrayed herself to Catherine. She did not fully believe that
Catherine would repeat this scene where it could injure her, or
anywhere, in fact. Still, she thought it safer to guard against such a
contingency, and while _she herself_ still possessed the unshaken
confidence and respect of Major Clifton, to impugn the conduct and
character of Catherine, and thus forestall and invalidate any testimony
she might hereafter give. She felt that she must proceed very
cautiously. A plan of correspondence had been arranged with Major
Clifton, previous to his departure. She soon began to receive long
letters from him, filled with interesting descriptions of the countries
through which he passed, the people whom he met, and philosophical
comments upon both. And to these she replied in other letters, full of
appreciation, admiration, gratitude, and breathing, besides, the
highest, purest, most disinterested sentiments and opinions upon all the
subjects of their correspondence. Into these letters, she gradually
introduced the name of Catherine—carelessly, at first, as if she thought
little about her, one way or the other,—as thus: “Catherine is with me
still—she desires to be remembered;” then, in a second letter, by a
slight line of praise, as though the girl was rather winning upon her,
as—“Catherine is well. By the way, what a remarkably clever girl she
is;” then, in another, with warmer panegyric, as though she really very
much improved upon longer acquaintance, thus: “How can I ever thank you
sufficiently for placing Catherine with me?” Next came high encomiums
upon Catherine’s talents, in this wise: “Catherine has left me, and is
with your mother, as no doubt the latter has written you. Apropos! What
a mind that girl has! Did you ever observe?” And then, in a subsequent
epistle, came an expression of wonder at the “diplomatic” character of
Kate’s intellect, and an opinion that the writer really believed her
thrown away in private life. And next, a cooler mention of the maiden,
with the hint of a fear that she was gaining the mastery over Mrs.
Clifton’s strong mind. Finally, after some months, she wrote thus, as if
speaking frankly from a sense of duty, and at the cost of great pain: “I
fear that I have been greatly deceived in my estimate of Catherine’s
good principles. How shall I introduce what I am about to say to you?
But you had best come home and see for yourself. For I know that your
mother is in the power of as dangerous an intriguante as I ever heard
of; and mind—she will influence Mrs. Clifton to disinherit her own son,
and bequeath _her_ the farm at Hardbargain. That ‘Maria Teresa’ brow of
hers meant something, after all.
Public-domain text, read in full here on John Shaqi.
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