The curse of Clifton : $b or, the widowed brideSouthworth, Emma Dorothy Eliza Nevitte
General
The curse of Clifton : $b or, the widowed bride
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Man-woman relationships -- Fiction
When Archer Clifton saw that all indeed was over; when he looked upon
that mother-face, the first which had ever met his conscious gaze in
life; that old, familiar face, which seemed to him coeval with his
being, and a necessary part of it; that face the most intimate, the most
loving, the most faithful which had ever shone upon his path of
life;—and felt that it was lost forever; that the light of those quiet
eyes was darkened forever; the sound of that kind voice silenced
forever; the smile of those calm lips fled forever;—when he clasped that
mother-hand, and felt that those dear fingers would close upon his own
in cordial grasp never, never more;—oh! when he felt that all was over,
over, “finished, done and ended,” he fell upon his knees by the corpse,
dropped his head upon the cold, inanimate bosom, and broke into
convulsive sobs.
Weeping freely, Catherine knelt by his side, and put her arm around his
neck. He was unconscious of her presence, until, after giving way to
sorrow for a few moments, she lifted up her head, and wiped her eyes,
and controlling her own emotion, sought to console him—
“Do not grieve so, dear Archer,” she murmured, with her arm again around
him, “do not grieve, but _pray_.”
Then indeed he suddenly grew calm, unclasped the gentle arm of Catherine
from his neck, arose slowly from his kneeling posture, took her hand,
and raised her upon her feet, and regarding her with a stern and
sorrowful countenance, said, in severe rebuke—
“Come! madam! no more hypocrisy now! None here at least! It is useless
hereafter! You have accomplished your design. You _are_ a ‘successful
diplomatist,’ and your ’long slavery’ _is_ now over.”
Catherine lifted her eyes, dilated with sorrow and amazement, and fixed
them on his face an instant; but the look she met there, the expression
of mingled suffering and severity, such as might have sat upon the brow
of Brutus, when the feelings of the man and the duty of the judge strove
in his bosom, awed her into silence before him. She could express no
surprise or grief—ask no explanation. The old shyness and fear came over
her, and her eyes fell, and her cheeks paled. Again he spoke in the same
stern, sorrowful tone—
“Ay, cower with conscious guilt! You are discovered! And you should have
been unmasked before _her_ to-day, but that I did not wish to embitter
her last moments! that only saved you! Come! leave the room that you
desecrate with your presence! Leave me alone with my dead!”
But instead of obeying, she stood like a statue before him.
Then he took her hand and led her through the door, and closed it behind
her.
Public-domain text, read in full here on John Shaqi.
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