The curse of Clifton : $b or, the widowed brideSouthworth, Emma Dorothy Eliza Nevitte
General
The curse of Clifton : $b or, the widowed bride
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century; Man-woman relationships -- Fiction
“Dearest girl, he will be glad!” Here Frank went over the whole story
again, and added—“And Zuleime, have you no love, no pity left from your
father to bestow upon the poor soldier who loves you so, and who is
going out to the Indian frontier, where he may lose his scalp, or be
burned alive, or eaten raw within a month by the red-skins? Will you
refuse his last prayer?” etc., etc., etc. Over and over again,
fervently, earnestly, imploringly, despairingly he repeated the argument
and the prayer, while he held the maiden “half willing, half afraid.”
“She who hesitates is lost,” it is said.
Zuleime hesitated a long time, and, consequently, was lost to all
eternity. What could she oppose, indeed, to what seemed so right and
reasonable? With a deep sigh she yielded at last. There was no path that
way down into the glen, and the descent was deep and precipitous, and
overgrown with stunted cedar, pine and thorn bushes. So, Romeo and
Juliet began to clamber down, by foot-holds of jagged rocks, and
fist-holds of thorn bushes, to the great risk of wounded hands and torn
pants and petticoats. And so it was in rather a disordered state of
attire, as well as in an excited state of mind, that they at last
arrived before the door of Father Lawrence’s cell, and rapped. While
they waited for the old man to appear, Frank, very much to the surprise
of Zuleime, drew from his vest pocket a license—a regular _bona fide_
license, signed by the clerk of R—— county, and sealed with the county
seal. Resting his foot upon the door-step, he took off his hat, turned
it down on his knee, laid the license upon its top, and drawing from his
other pocket a travelling pen and ink case, proceeded to write the names
of Francis Rutland Fairfax and Zuleime Dovilliers Clifton in the blank
spaces.
Public-domain text, read in full here on John Shaqi.
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