Man-woman relationships -- Fiction; United States -- Social life and customs -- 19th century -- Fiction; Women -- Fiction
When they neared the cottage, a change came upon her. She grew still and
hushed, looking forward with breathless awe, and moving with the
noiseless motion of a ghost.
“Hush, hush,” she said, “we may disturb him, and then he will follow her
into the deep waters. Do you think she will stay there though? Who can
keep her there? The monsters of the deep will hurl her back to land; she
is too wicked for them. The serpents that coil and knot themselves among
the rust, and gold, and scattered pearls that lie forever among the
coral branches, down, down where the waters are calm like a baby’s
dream—the serpents, I tell you, will uncoil and slink away into the
black depths of the sea, rather than live with her, though she is their
sister. Oh, if they would keep her. Do you think they can? I sent her
down to them with my mark upon her throat—a hot mark, red as blood. They
will understand it. The mermaids,—listen, my bird of Paradise,—the
mermaids are my friends; I have lived with them years and years. They
have strung pearls on my hair, and that’s what makes it so white. I wish
you could see them floating, floating, floating, with pale green hair
and emerald eyes. They sing, too. Oh, my bird, won’t they sing when she
plunges downward headforemost in her rags, with my mark flaming on her
throat? Hosanna! hallelujah! Roll, roll ye mighty thunders—roll, roll!”
Elsie had uttered the first portion of this wild speech in a hoarse
whisper as she glided by the cottage, but her voice rose as she
proceeded, and at last broke forth into a fierce, reckless chant, like
that with which Rachael electrified an audience, when she raved and
moaned through the liberty chant of France.
Catharine was impressed by the wild poetry that broke more from the eyes
and action of the maniac than from her words. Still, she had an
undercurrent of thought that led her to look wistfully at the cottage as
she passed. The window where she had seen a light was now darkened and
closed; everything was still, and she felt almost as if some fearful
delusion were being practised upon her every way she turned.
The rain had somewhat abated when the two females reached the house; but
even at its height the old people had evidently come forth in search of
their child. Back and forth, among the shrubberies and beneath the old
trees, they wandered, their hands nervously interlocked, and their
feeble voices rising in anxious cries for their daughter.
Elsie heard them, and sprang forward triumphantly.
“Come,” she said, “come, you may breathe now; the air is pure; the earth
may laugh with blossoms without fear of death-tramps from her cloven
feet. Come now, let us sing together, we and the stars!”
She waved her hand toward the sky where a few stars were struggling
through an embankment of clouds, very pale and languid after the vivid
flashes of lightning they had just witnessed.
“Come,” she cried again, “let us laugh, let us sing! Come, come, come!”
Public-domain text, read in full here on John Shaqi.
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