The Curse of Kehama, Volume 1 (of 2)Southey, Robert
General
The Curse of Kehama, Volume 1 (of 2)
Southey, Robert
English poetry -- 19th century
It is usual to place a small white triangular flag, fixed to a bamboo
staff, of ten or twelve feet long, at the place where a tyger has
destroyed a man. It is common for the passengers, also, each to throw
a stone, or brick, near the spot, so that, in the course of a little
time, a pile equal to a good waggon-load is collected. This custom, as
well as the fixing a rag on any particular thorn-bush, near the fatal
spot, is in use likewise on various accounts. Many brambles may be
seen in a day's journey, completely covered with this motley
assemblage of remnants. The sight of the flags and piles of stones
imparts a certain melancholy, not perhaps altogether devoid of
apprehension: They may be said to be of service in pointing out the
places most frequented by tygers.--_Oriental Sports_, vol. ii. p. 22.
_Pollear._--V. p. 45.
The first and greatest of the sons of Sevee is Pollear: he presides
over marriages: The Indians build no house without having first
carried a Pollear on the ground, which they sprinkle with oil, and
throw flowers on it {156} every day. If they do not invoke it before
they undertake any enterprise, they believe that God will make them
forget what they wanted to undertake, and that their labour will be in
vain. He is represented with an elephant's head, and mounted on a rat;
but in the pagodas they place him on a pedestal, with his legs almost
crossed. A rat is always put before the door of his chapel. This rat
was a giant, called Gudja-mouga-chourin, on whom the gods had bestowed
immortality, as well as great powers, which he abused, and did much
harm to mankind. Pollear, entreated by the sages and penitents to
deliver them, pulled out one of his tusks, and threw it against
Gudja-mouga-chourin; the tooth entered the giant's stomach, and
overthrew him, who immediately changed himself into a rat as large as
a mountain, and came to attack Pollear, who sprung on his back,
telling him, that hereafter he should ever be his carrier.
The Indians, in their adoration of this god, cross their arms, shut
the fist, and in this manner give themselves several blows on the
temples; then, but always with the arms crossed, they take hold of
their ears, and make three inclinations, bending the knee; after
which, with their hands joined, they address their prayers to him, and
strike their forehead. They have a great veneration for this deity,
whose image they place in all temples, streets, {157} highways, and,
in the country, at the foot of some tree, that all the world may have
an opportunity of invoking him before they undertake any concern, and
that travellers may make their adorations and offerings to him before
they pursue their journey.--SONNERAT.
_The Glendoveers_.--VI. p. 48.
Public-domain text, read in full here on John Shaqi.
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