The Curse of Kehama, Volume 1 (of 2)Southey, Robert
General
The Curse of Kehama, Volume 1 (of 2)
Southey, Robert
English poetry -- 19th century
The _Vina_ is an Æolian harp. The people of Amboyna have a different
kind of Æolian instrument, which is thus described in the first
account of D'Entrecasteaux's Voyage: "Being on the sea-shore, I heard
some wind-instruments, the harmony of which, though sometimes very
correct, was intermixed with discordant notes that were by no means
unpleasing. These sounds, which were very musical, and formed fine
cadences, seemed to come from such a distance, that I for some time
imagined the natives were having a concert beyond the road-stead, near
a myriameter {190} from the spot where I stood. My ear was greatly
deceived respecting the distance, for I was not an hundred meters from
the instrument. It was a bamboo at least twenty meters in height,
which had been fixed in a vertical situation by the sea-side. I
remarked between each knot a slit about three centimeters long by a
centimeter and a half wide; these slits formed so many holes, which,
when the wind introduced itself into them, gave agreeable and
diversified sounds. As the knots of this long bamboo were very
numerous, care had been takes to make holes in different directions,
in order that, on whatever side the wind blew, it might always meet
with some of them. I cannot convey a better idea of the sound of this
instrument, than by comparing them to those of the
Harmonica."--LABILLARDIERE. _Voyage in Search of La Perouse_.
Nareda, the mythological offspring of _Saraswati_, patroness of music,
is famed for his talents in that science. So great were they, that he
became presumptuous; and, emulating the divine strains of _Krishna_,
he was punished by having his _Vina_ placed in the paws of a bear,
whence it emitted sounds far sweeter than the minstrelsy of the
mortified musician. I have a picture of this joke, in which _Krishna_
is forcing his reluctant friend to attend to his rough-visaged rival,
who is ridiculously touching the {191} chords of poor _Nareda's Vina_,
accompanied by a brother bruin on the cymbals. Krishna passed several
practical jokes on his humble and affectionate friend: He
metamorphosed him once into a woman, at another time into a
bear.--MOOR's _Hindu Pantheon_, p. 204.
----_The Sacrifice_
_That should, to men and gods, proclaim him Lord_
_And Sovereign Master of the vassal World._--VII. p. 71.
The Raisoo Yug, or Feast of Rajahs, could only be performed by a
monarch who had conquered all the other sovereigns of the
world.--HALHED. _Note to the Life of Creeshna_.
_Sole Rajah, the Omnipotent below._--VII. p. 71.
No person has given so complete a sample of the absurdity of oriental
titles as the Dutch traveller Struys, in his enumeration of "the proud
and blasphemous titles of the King of Siam,--they will hardly bear
sense," says the translator, in what he elsewhere calls, by a happy
blunder, "the idiotism of our tongue."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account