The Curse of Kehama, Volume 1 (of 2)Southey, Robert
General
The Curse of Kehama, Volume 1 (of 2)
Southey, Robert
English poetry -- 19th century
Mr. Halhed gives a very curious account of this remarkable sacrifice:
"The Ashum-meed-Jugg does not merely consist in the performance of
that ceremony which is open to the inspection of the world, namely, in
bringing a horse and sacrificing him; but Ashum-meed is to be taken in
a mystic signification, as implying that the sacrificer must look upon
himself to be typified in that horse, such as he shall be described,
because the religious duty of the Ashum-meed-Jugg comprehends all
those other religious duties, to the performance of which all the wise
and holy direct all their actions, and by which all the sincere
professors of every different faith aim at perfection: The mystic
signification thereof is as follows:
"The head of that unblemished horse is the symbol of the morning; his
eyes are the sun; his breath the wind; his wide-opening mouth is the
Bishwaner, or that innate warmth which invigorates all the world: His
body typifies {196} one entire year; his back paradise; his belly the
plains; his hoof this earth; his sides the four quarters of the
heavens; the bones thereof the intermediate spaces between the four
quarters; the rest of his limbs represent all distinct matter; the
places where those limbs meet, or his joints, imply the months and
halves of the months, which are called _peche_ (or fortnights): His
feet signify night and day; and night and day are of four kinds, 1.
the night and day of Birhma, 2. the night and day of angels, 3. the
night and day of the world of the spirits of deceased ancestors, 4.
the night and day of mortals; these four kinds are typified in his
four feet. The rest of his bones are the constellations of the fixed
stars, which are the twenty-eight stages of the moon's course, called
the Lunar year; his flesh is the clouds; his food the sand; his
tendons the rivers; his spleen and his liver the mountains; the hair
of his body the vegetables, and his long hair the trees: the fore part
of his body typifies the first half of the day, and the hinder part
the latter half; his yawning is the flash of the lightning, and his
turning himself is the thunder of the cloud: His urine represents the
rain, and his mental reflection is his only speech. The golden
vessels, which are prepared before the horse is let loose, are the
light of the day, and the place where those vessels are kept is a type
of the Ocean {197} of the East; the silver vessels, which are prepared
after the horse is let loose, are the light of the night; and the
place where those vessels are kept is a type of the Ocean of the West:
these two sorts of vessels are always before and after the horse. The
Arabian horse, which, on account of its swiftness, is called Hy, is
the performer of the journies of angels; the Tajee, which is of the
race of Persian horses, is the performer of the journies of the
Kundherps (or good spirits); the Wazba, which is of the race of the
deformed Tazee horses, is the performer of the journies of the Jins,
Public-domain text, read in full here on John Shaqi.
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