The Curse of Kehama, Volume 1 (of 2)Southey, Robert
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The Curse of Kehama, Volume 1 (of 2)
Southey, Robert
English poetry -- 19th century
To return, however, to my first subject:--This witch of Combru made
some difficulty at first to confess her guilt; but seeing herself
pressed with threats of death, and being led, in fact, to the public
square, where I saw her with the sick young man, she said, that though
she had not been the cause of his complaint, perhaps she could cure
{246} it, if they would let her remain alone with him, in his house,
without interruption; by which she tacitly confessed her witchcraft:
For it is held certain in these countries, that these wicked women can
remove the malady which they have caused, if it be not come to the
last extremity. And of many remedies which they use to restore health
to the sufferers, there is one very extraordinary, which is, that the
witch casts something out of her mouth, like the grain of a
pomegranate, which is believed to be a part of the heart that she had
eaten. The patient picks it up immediately, as part of his own
intestines, and greedily swallows it; and by this means, as if his
heart was replaced in his body, he recovers by degrees his health. I
dare not assure you of these things as certainly true, not having
myself seen them, surpassing as they do the course of nature. If they
are as is said, it can be only in appearance, by the illusions of the
devil; and if the afflicted recover actually their health, it is
because the same devil ceases to torment them. Without dwelling longer
upon these curious speculations,--the witch having given hopes that
she would cure the patient, the officers promised that she should
receive no injury, and they were both sent home; but an archer was set
over her as a guard, that she might not escape.--PIETRO DELLA VALLE.
{247}
_The Calis._--XI. p. 114.
The Calis and Pandaris are the protectresses of cities; each city has
its own. They address prayers to these tutelary divinities, and build
temples to them, offering to them blood in sacrifice, and sometimes
human victims. These objects of worship are not immortal, and they
take their name from the city over which they preside, or from the
form in which they are represented. They are commonly framed of a
gigantic stature, having several arms, and the head surrounded with
flames; several fierce animals are also placed under their
feet.--SONNERAT.
_Sani, the dreadful God, who rides abroad_
_Upon the King of the Ravens._--XI. p. 114.
Mr. Moor has a curious remark upon this subject:
Public-domain text, read in full here on John Shaqi.
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