The Curse of Koshiu: A Chronicle of Old JapanWingfield, Lewis
History
The Curse of Koshiu: A Chronicle of Old Japan
Wingfield, Lewis
Historical fiction; Hojo family -- Fiction; Japan -- History -- Kamakura period, 1185-1333 -- Fiction
The new-comer dashed past without deigning notice, nor drew rein till
he reached the entrance of the villa. The heavy foliage of the
surrounding pines was bowed down with a glittering burden; the
picturesque lake, with its rocks and tiny islets, was frozen over, and
on its surface wandered painfully and slow the myriad of black
tortoises that usually slept beneath. A haven of peace and rest, an
oasis of silence in a sea of turmoil. Even the sentries, who slowly
marched before the doors, seemed under the spell of winter, their
senses blunted by the nipping air.
The whirling mind of Nara was too much engrossed to heed such trivial
matters. Flinging his bridle to a sentinel, he inquired where was his
master. The man pointed upward with his lance, but added in troubled
accents, that my lord was sick,--had given special orders that he was
on no account to be disturbed.
"I have come to cure his sickness," the old man said, with a grim
smile of peculiar meaning. "I have brought him medicine. See that we
are left alone."
The Golden House, as we saw when we were here some time since, is a
dwelling of small proportions on the lake bank, built of wood, with a
huge towering roof bedizened with much gold. The upper chambers are
reached by a ladder-stair of extreme exiguity, so frail and narrow
that one person only can mount at a time, and only then by bowing his
head.
Nara's tall and bulky form had much ado to reach the landing; but,
arrived there, he loosed his katana in its sheath, and, with a
strength, for which none would have credited him, seized the ladder,
and, wrenching it from its iron fastening, hurled it clattering down.
The paper windows were closed; the light was dim; a voice, tuned low
by world-worn weariness, demanded who was there.
Nara strode into the inner room where, wrapped in quilts, the Hojo
lay, a hibachi close at hand, his swords in their rack beside him.
"_You!_" he said, rising to a sitting posture.
"I," was the rejoinder. "I, _murderer!_ The father of O'Tei, the wife
whom you have slaughtered."
No-Kami looked dreamily at the figure that stood over him, then felt
his garb with a vague, uncertain movement of twitching fingers.
"Murderer?" he muttered, with a cynic's laugh.
The wrath of the old man flared up. Grinding his teeth, he spurned the
prostrate figure.
"Yes, murderer!" he hissed, "and I, the father of your victim. No one
can interrupt us. O'Tei is dead--you know it--and by your decree. Only
one, if one, will leave this room alive. Have you any manhood left,
degenerate spawn of tyrants? Take up your sword, and quickly, or I'll
slay you like a dog, as you deserve."
Had not the old man been so distraught he would have seen by No-Kami's
face that the intelligence was bewildering news to him. He sat gazing
at his persecutor open-mouthed, till he, goaded beyond control, smote
him with flat blade across the face.
Public-domain text, read in full here on John Shaqi.
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