The Curse of Koshiu: A Chronicle of Old JapanWingfield, Lewis
History
The Curse of Koshiu: A Chronicle of Old Japan
Wingfield, Lewis
Historical fiction; Hojo family -- Fiction; Japan -- History -- Kamakura period, 1185-1333 -- Fiction
Once free of buildings, the imperial _cortége_ advanced by a wide way
straight as an arrow across a plain devoted to the cultivation of tea,
and by nightfall reached Uji. Here there was a villa overhanging with
wide, wooden balconies a rushing stream--the Uji-Kawa, which rises in
lake Biwa--spanned by a semicircular bridge formed of an intricate
network of heavy timbers, for in winter this river swells into a
torrent, sweeping all that is weak before it. This villa was for the
special use of the sovereign, as might be guessed, from its lack of
adornment. So high is the Mikado, that, in a general way, he is above
the employment of ornament. His villas and summer-houses (unlike those
of his brother of China) are as conspicuous for simplicity as his
dress. Everything is of the very best that skill can produce, the
woodwork of the very finest which the hand of man can command, the
mats trimmed with a red and white braid forbidden to other men. His
eyes look upon no pictures or porcelains or bronzes, for to one who
communes at will with deities or spirits, and may peep even sometimes
into Nirvana, such trivialities are, of course, superfluous. In the
Imperial Palace of Ki[^y]oto it is different, for there he deigns to
associate in a degree with mere common nobles and wives, to whom
austere simplicity would be depressing if not soul-withering. In this
villa, the Emperor, by time-honoured custom, was to pass the night,
his _cortége_ camping around for the protection of the sacred person.
Now Koshiu, whose object in life was the presenting of a memorial
which should lead to the abrogation of imposts, and the holding up of
the Hojos to deserved obloquy, knew right well that there was no
reaching the imperial ear, either in Ki[^y]oto or on the road to Uji,
by reason of a throng of guards. During the next day's route over the
mountains, on the other side of which was Nara, the cumbrous carriage
would be prevented from toppling over by myriad hands pressed on
either wheel, but the brilliant idea had occurred to the farmer that
in crossing the timber bridge, whose width was just sufficient for the
passage of the vehicle, there would be none to defend either of the
curtained windows, the guards of necessity passing on in front or
dropping behind until the stream was crossed, and that here lay his
only chance. In the night therefore, after prayers and ablutions, he
took advantage of the darkness to swim into mid-stream unnoticed, and
being washed against one of the pillars, to make good his footing, and
climbing on the bridge, to secrete himself under a convenient shadow.
Then with his knife he pruned a long bamboo, split it at the top, and
inserting the memorial therein, awaited day.
Public-domain text, read in full here on John Shaqi.
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