The Daltons; Or, Three Roads In Life. Volume I (of II)Lever, Charles
General
The Daltons; Or, Three Roads In Life. Volume I (of II)
Lever, Charles
English fiction -- 19th century
however, even in her silence, or in the very few words she ever uttered,
to throw an air of devotion into her service that took away from the
formality of a manner that at first seemed cold and even repulsive.
Kate, indeed, in the beginning, was thrown back by the studied reserve
and deferential distance she observed; but as days went over, and she
grew more accustomed to the girl's manner, she began to feel pleased
with the placid and unchanging demeanor that seemed to bespeak a mind
admirably trained and regulated to its own round of duties.
While Kate sat at a writing-table, adding a few lines to that letter
which, began more than a week ago, was still far from being completed,
Nina, whose place was beside the window, worked away with bent-down
head, not seeming to have a thought save for the occupation before her.
Not so Kate; fancies came and went at every instant, breaking in
upon the tenor of her thoughts, or wending far away on errands of
speculation. Now she would turn her eye from the page to gaze in
wondering delight at the tasteful decorations of her little chamber, a
perfect gem of elegance in all its details; then she would start up to
step out upon the terrace, where even in winter the orange-trees were
standing, shedding their sweet odor at every breeze from the Arno. With
what rapturous delight she would follow the windings of that bright
river, till it was lost in the dark woods of the Cascini! How the sounds
of passing equipages, the glitter and display of the moving throng,
stirred her heart; and then, as she turned back within the room, with
what a thrill of ecstasy her eyes rested on the splendid ball-dress
which Nina had just laid upon the sofa! With a trembling hand she
touched the delicate tissue of Brussels lace, and placed it over her
arm in a graceful fold, her cheek flushing and her chest heaving in
consciousness of heightening beauty.
[Illustration: 262]
Nina's head was never raised, her nimble fingers never ceased to ply;
but beneath her dark brows her darker eyes shot forth a glance of deep
and subtle meaning, as she watched the young girl's gesture.
“Nina,” cried she, at last, “it is much too handsome for me; although
I love to look at it, I actually fear to wear it. You know I never have
worn anything like this before.”
“Mademoiselle is too diffident and too unjust to her own charms;
beautiful as is the robe, it only suits the elegance of its wearer.”
“One ought to be so graceful in every gesture, so perfect in every
movement beneath folds like these,” cried Kate, still gazing at the fine
tracery.
“Mademoiselle is grace itself!” said she, in a low, soft voice, so
quiet in its utterance that it sounded like a reflection uttered
unconsciously.
“Oh, Nina, if I were so! If I only could feel that my every look and
movement were not recalling the peasant girl; for, after all, I have
been little better, our good blood could not protect us from being poor,
and poverty means so much that lowers!”
Public-domain text, read in full here on John Shaqi.
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