The Daltons; Or, Three Roads In Life. Volume I (of II)Lever, Charles
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The Daltons; Or, Three Roads In Life. Volume I (of II)
Lever, Charles
English fiction -- 19th century
Over and over again did she hear disparaging remarks bestowed upon the
striving efforts of “respectable poverty,” its contrivances derided, its
little straits held up to ridicule. In dress, equipage, or household,
whatever it did was certain to be absurd; and yet all of these people,
so laughed at and scorned, were in the enjoyment of means far above her
own father's!
What a false position was this! How full of deceit must she become to
sustain it! She invoked all her sophistry to assure herself that their
condition was a mere passing state; that at some future perhaps not even
a remote one they should have “their own again;” and that as in family
and descent they were the equals of any, so they were not inferior in
all the just claims to consideration and respect. She tried to think of
her father and Nelly moving in the circles she now lived in; but, even
alone, and in the secrecy of her own thoughts, her cheek became scarlet
with shame, and she actually shuddered at the very notion. And even
Frank, her once ideal of all that was graceful and noble-looking,
how would he pass muster beside these essenced “fashionables” who now
surrounded her! She endeavored to console herself by thinking that her
father would have despised the lounging, unmanly lives they led, that
Ellen would have retired in bashful modesty from a society whose tone
of freedom and license would have shocked her, and that Frank would
have found no companionship in a class whose pleasures lay only in
dissipation; and yet all her casuistry could not reassure her. The
fascinations amid which she lived were stronger than her reason.
She became first aware of the great change in herself on recognizing
how differently a letter from home affected her to what it had done some
months before. At first she would have hastened to her room, and locked
the door, in an ecstasy of delight to be alone with dearest Nelly, to
commune with her own sweet sister in secret, to hang on every line,
every word, with delight, fancying herself once more with arms clasped
around her, or bending down beside her cheek as she leaned over her
work-table. How every little detail would move her; how every allusion
would bring up home before her, the snug little chamber of an evening,
as the bright fire glowed on the hearth, and Nelly brought out her tools
for modelling, while Hanserl was searching for some passage, a line, or
a description that Nelly wanted; and then the little discussions that
would ensue as to the shape of some weapon, or the fashion of some
costume of a past age, so often broken in upon by her father, whose
drolleries would set them laughing!
Public-domain text, read in full here on John Shaqi.
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