There had been a time, and that not so very far back either, when the sight of that humble equipage, with visitors, would have made her heart beat to the full as strong, albeit with very different emotions. Now, however, she actually glanced at the windows to see if it had attracted notice, with a kind of terror at the ridicule it would excite. Never did she think an old gray horse could be so ugly; never did wheels make so intolerable a noise before! Why would people dress up their servants like harlequins? What was the meaning of that leopard-skin rug for the feet? It was an odious little vehicle, altogether. There was a tawdry, smirking, self-satisfied pretension about its poverty that made one wish for a break-down on looking at it. “Mrs. Montague Ricketts and Miss Ricketts,” said a very demure-looking groom of the chambers; and although his features were immaculate in their expressions of respect, Kate felt offended at what she thought was a flippancy in the man's manner. Although the announcement was thus made, the high and mighty personages were still three rooms off, and visible only in the dim distance, coming slowly forward. Leaning on her sister's arm, and with a step at once graceful and commanding, Mrs. Ricketts came on. At least, so Kate judged an enormous pyramid of crimson velvet and ermine to be, from the summit of which waved a sufficiency of plumes for a moderate hearse. The size and dignity of this imposing figure almost entirely eclipsed poor Martha, and completely shut out the slender proportions of Mr. Scroope Purvis, who, from being loaded like a sumpter-mule with various articles for the road, was passed over by the groom of the chambers, and believed to be a servant. Slow as was the order of march, Purvis made it still slower by momentarily dropping some of the articles with which he was charged; and as they comprised a footstool, a poodle, two parasols, an album, a smelling-bottle, a lorgnette, with various cushions, shawls, and a portable tire-screen, his difficulties may be rather compassionated than censured. “Scroope, how can you? Martha, do speak to him. It's down again! He'll smash my lorgnette he'll smother Fidele. How very awkward how absurd we shall look!” Such were the sotto voce accompaniments that filled up the intervals till they arrived at the great drawing-room, where Kate Dalton sat.