The Daltons; Or, Three Roads In Life. Volume II (of II)Lever, Charles
General
The Daltons; Or, Three Roads In Life. Volume II (of II)
Lever, Charles
English fiction -- 19th century
As for Hanserl, he worked from daylight to dusk. Already the little
garden, weed-grown and uncared-for before, was as blooming as his former
one at the Alten Schloss. Under Nelly's guidance many a device was
executed that seemed almost miraculous to the simple neighbors; and the
lichen-clad rocks, the waving water-lilies or trellised creepers, which,
in the wild wantonness of nature they had never noticed, now struck
them as the very creations of genius. Even old Andy was not forgotten in
their schemes of happiness; and the old huntsman used to spend hours in
the effort to tame a young fox a peasant had brought him,--a labor not
the less interesting that its progress suffered many a check, and that
many a laugh arose at the backslidings of the pupil.
And now we leave them for a brief season, all occupied and all happy;
nor do we like the fate that calls us away to other and very different
associates.
CHAPTER XXIV. FLORENCE.
It was of a calm but starless night in winter that Florence was
illuminated in honor of a victory over the Austrian troops at Goito.
Never was patriotic ardor higher,--never were stronger the hopes of
Italian independence. From the hour of their retreat from Milan, the
imperial forces had met with little but reverses, and, as day by day
they fell back towards the Tyrol Alps, the hosts of their enemies
swelled and increased around them; and from Genoa to the Adriatic all
Italy was in march to battle. It is not to speculate on the passable
current of events, nor yet to dwell on the causes of that memorable
failure, by which dissentient councils and false faith--the weakness
of good men and the ambition of bad ones--brought rain when there might
have been victory, still less is it to gaze upon the brilliant spectacle
of the rejoicing city, that we are now wending our way along the Arno,
scarcely stopping to notice the thousand stars that glitter on the
Duomo, nor the flickering lines of light which trace out the gigantic
tower of the Palazzo Vecchio. Our theme is more humble than the former,
and far too serious for such dalliance as the latter.
Leaving the crowded streets, resounding with the wild acclamations and
wilder songs of the people, we pass over the Ponte Vecchio, and enter
once again the dark abode of Racca Morlache. Whether from any suspicion
of his unpopularity with the people, or from some secret necessity for
precaution, the door is fastened by many an extra bolt, and more than
one massive chain retains the iron shutters of the window. Perhaps there
is something in this conscious security that has made him so sparing in
his display of external joy, for two dim, discolored lamps were all that
appeared above the door, and these were soon hurled down in contemptuous
anger by the populace, leaving the little building in total darkness.
Public-domain text, read in full here on John Shaqi.
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