The Daltons; Or, Three Roads In Life. Volume II (of II)Lever, Charles
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The Daltons; Or, Three Roads In Life. Volume II (of II)
Lever, Charles
English fiction -- 19th century
“D'Esmonde has just returned, and delights me by saying that
you are quite free from any contagion as to the errors of
the Greek Church. Of course, outwardly, you must conform;
even if Midchekoff did not insist, his countrymen would; but
he says that St. Ursula is the sure resource in such cases,
and mentions the instance of a nun who took lessons in
Spanish from the Devil, and, by the aid of the blessed
Ursula, was nothing the worse.
“I told Jekyl, who left this on Friday, to send me an image
of St. Ursula, that I might forward it to you; but the
careless wretch has sent me a statuette of Fanny Elssler by
mistake. He discovered his error, however, and has written
me a most humble letter, mentioning, by the way, that he was
doing a 'Novena' for penance, and danced the polka all the
preceding night with a sharp peg in the sole of his foot.
With all his oddity, there is a great deal to like in him.
“I have only once heard from the Onslows; their conduct has
been too shocking; they are not ruined at all, but got up
the story, I verily believe, just to destroy my nerves. Sir
S. is living in Ireland, at that place with the horrid name
your father used to talk of, with Sydney; and George has
gone to India, a major, I think, in some cavalry regiment.
At Grounsell's kind suggestion, I have been cut off with a
miserable allowance of fifteen hundred a year; but even with
this I am content. St. Brigitta, of Cleves, lived on hard
peas, and never wore anything but an old sack for the last
seventeen years of her life; and Célestine has got a
charming pattern of a capote, _à la_ Cistercine, which, when
made of white cashmere, will be perfectly simple and very
becoming. I wear my hair now always in bands, and very low
on the face. D'Esmonde says I 'm the image of the Madonna of
Domenichino, which you may remember, I always preferred to
Raphael's.
Public-domain text, read in full here on John Shaqi.
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