Belief and doubt -- Fiction; Clergy -- Fiction; Methodists -- Fiction; New York (State) -- Fiction; Psychological fiction
A less untutored vision than his would have caught more swiftly the
scheme of color and line in which these works of art bore their share.
The walls of the room were in part of flat upright wooden columns,
terminating high above in simple capitals, and they were all painted in
pale amber and straw and primrose hues, irregularly wavering here and
there toward suggestions of white. Between these pilasters were broader
panels of stamped leather, in gently varying shades of peacock blue.
These contrasted colors vaguely interwove and mingled in what he
could see of the shadowed ceiling far above. They were repeated in the
draperies and huge cushions and pillows of the low, wide divan which ran
about three sides of the room. Even the floor, where it revealed itself
among the scattered rugs, was laid in a mosaic pattern of matched woods,
which, like the rugs, gave back these same shifting blues and uncertain
yellows.
The fourth side of the apartment was broken in outline at one end by the
door through which they had entered, and at the other by a broad, square
opening, hung with looped-back curtains of a thin silken stuff. Between
the two apertures rose against the wall what Theron took at first glance
to be an altar. There were pyramidal rows of tall candles here on either
side, each masked with a little silken hood; below, in the centre, a
shelf-like projection supported what seemed a massive, carved casket,
and in the beautiful intricacies of this, and the receding canopy of
delicate ornamentation which depended above it, the dominant color was
white, deepening away in its shadows, by tenderly minute gradations, to
the tints which ruled the rest of the room.
Celia lighted some of the high, thick tapers in these candelabra, and
opened the top of the casket. Theron saw with surprise that she had
uncovered the keyboard of a piano. He viewed with much greater amazement
her next proceeding--which was to put a cigarette between her lips, and,
bending over one of the candles with it for an instant, turn to him with
a filmy, opalescent veil of smoke above her head.
“Make yourself comfortable anywhere,” she said, with a gesture which
comprehended all the divans and pillows in the place. “Will you smoke?”
“I have never tried since I was a little boy,” said Theron, “but I think
I could. If you don't mind, I should like to see.”
Lounging at his ease on the oriental couch, Theron experimented
cautiously upon the unaccustomed tobacco, and looked at Celia with what
he felt to be the confident quiet of a man of the world. She had thrown
aside her hat, and in doing so had half released some of the heavy
strands of hair coiled at the back of her head. His glance instinctively
rested upon this wonderful hair of hers. There was no mistaking the
sudden fascination its disorder had for his eye.
She stood before him with the cigarette poised daintily between thumb
and finger of a shapely hand, and smiled comprehendingly down on her
guest.
Public-domain text, read in full here on John Shaqi.
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